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Kristjan Ruus creates a dreamlike cinematic experience with “OF ALL WARM THINGS” (video)

Kristjan Ruus

At the heart of Kristjan Ruus’ new release, “OF ALL WARM THINGS,” is a quiet sense of time passing, a cinematic instrumental electronic piece that transforms a fleeting visual experience into a meditation on memory, emotion, and the beauty of moments that don’t last long enough. This is a very personal story told in ambiance, texture, and carefully crafted sound.

The result is a world of warmth and melancholy, a blend of emotive cinematic sound design and instrumentation drawn from Irish folk. The concertina, Irish flute, tin whistles, bodhrán, stomps, and spoons all add a human touch to the electronic base, creating a unique balance between organic tradition and modern production.

The song’s music video elaborates on these themes with designed visuals that capture the bittersweet feeling of wanting to hold on to a treasured moment, even while you know it’s already gone. Kristjan Ruus has a strong creative vision that connects sound and storytelling, as he has proven his talent for composing, directing, editing, and shaping the entire visual world.

In this release, a repeating ascending motif makes you feel time moving forward, and the rhythmic percussion provides a ritualistic energy that pulls you further into the experience. The production is big and cinematic, and every instrument gets to breathe while maintaining a strong emotional connection. “OF ALL WARM THINGS is an introspective meditation on fleeting sensations and the inexorable flow of time, and it is an intimate and universal immersive piece, with Kristjan Ruus’ cinematic atmosphere, rich instrumentation, and emotional depth.

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Photo Credit: Kristjan Ruus

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A seasoned music writer at Honk Magazine, covering new releases and artist spotlights with a focus on blending insight with captivating storytelling, helping readers connect deeply with the music and the artists behind it.

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Artist Spotlight

Gus Ormo finds a gentle balance of sound on latest release “Claroscuro (APAPE)”

Gus Ormo

Gus Ormo‘s latest release, “Claroscuro (APAPE),” is an instrumental piece built from a carefully selected set of sounds. Clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs make up the track. The vocal element is absent from the foreground; the instruments themselves establish the piece’s character.

The arrangement shows the contrast of its different textures. Bass and piano provide the grounding, with trumpet and flutes supplying the melodic color. Congas, drums, and shakers provide percussion, while the acoustic and lead guitars enrich the instrumental palette. These elements are incorporated into the song’s somber mood, but it remains mostly soft and emotion-driven.

What appeals to “Claroscuro (APAPE)” is its dedication to an instrumental expression that is soft on the heart. It’s not the words that convey the mood; it’s the instruments. Gus Ormo combines strings of rhythm, melody, and texture to produce a piece that sounds deliberately restrained, and each section contributes to the overall musical picture.

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Artist Spotlight

Gus Ormo brings warmth and tenderness on latest release “Latidos”

Gus Ormo

Gus Ormo’s latest release, “Latidos,” is an instrumental, so it must rely on its musicianship to carry the emotional weight. Instead of a vocal to guide the listener, the arrangement features clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs. The combination is a well-layered musical setting, with a somber character and a soft approach to the heart.

The piano and guitars add important touches to the arrangement, the trumpet and flutes add more color. Percussion, congas, drums, and clean shakers add movement but don’t detract from the gentle nature of the track. The bass anchors the song, while the lead and acoustic guitars provide an additional layer to the instrumental mix.

What sets “Latidos” apart is the quiet emotional intent. Instead of singing of its feeling, the piece creates a solemn and tender atmosphere with its collection of instruments. Still, Gus Ormo’s method stresses the connection between the instruments. It is an instrumental piece that should touch the heart with softness and not in excess.

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