Music
A Hot Lover Gets A One-Way Ticket Home in “Take That Train” by The Nied’s Hotel Band
“Take That Train” is about the hardships of having a romantic relationship when you’re in a great rock band
Who gets the one-way ticket home, your hot lover or your amazing rock band? The Nied’s Hotel Band’s new song “Take That Train” is about a sizzling romance that fizzles due to the hardships of maintaining a relationship while you’re in a band. Listen to the song to find out if he lets the relationship go or if the band plays on without him! The Nied’s Hotel Band is releasing “Take That Train” on Friday, July 15th on MTS Records.
“Take That Train” originated in the early ’90s when guitarist Tim Hadley was working on a project with Ronda Z (who would later be a guest vocalist on NHB’s “Day the Lady Cried”). At that time, they only had a general outline of the song and a title. The band split soon after, but the song stayed with Hadley for over a decade. Inspired by Little Feat and New Orleans mid-tempo, funky grooves, “Take That Train” was resurrected from Hadley’s memory and ignited by The Nied’s Hotel Band.
Featuring a stellar lineup of musicians, the band included Ron Beitle, a powerhouse drummer with Gold Record experience (Wild Cherry – “Play That Funky Music”) and Russ Oblinger, his equally-talented rhythm section partner on bass. The song also features a fleet-fingered, rock n’ roll piano solo by Fred Delu in the bridge section, followed by a wailin’ sax solo by Ed Jonnet.
The lyrics to the song were created by John Vento, singer/leader of NHB, who took the simple phrase ‘take that train’ and crafted a whole scenario revolving around the difficulty of maintaining relationships when playing in a band, ending with him telling her to “take that train” because it’s over.
Once the band had fine-tuned the arrangement, they convened at Klint Macro’s Cobblesound Studio to record the track. Hadley added his Lowell George-inspired slide guitar licks and Jim McCullough laid down some tasty rhythm guitar. The song was featured on NHB’s “One Night Stand” CD release in 2014.
Fast forward to 2022 and the awesome talent that is Jim Pitulski was coerced into creating a cool lyric video for the song as The Nied’s Hotel Band continues on its’ mission to spread good music and good vibes throughout the known universe.
About The Nied’s Hotel Band
The Nied’s Hotel Band, voted Pittsburgh’s “Best Bar Band” in the 2016 Pittsburgh Magazine Readers Poll, is a powerhouse recording and performing rock-n-roll and R&B group from Pittsburgh, PA. (USA). NHB delivers the hardworking, blue collar, muscle that has made Pittsburgh a legendary rock-n-roll city. A recent review by The Pittsburgh City paper proclaimed, “The Nied’s Hotel Band could be called The E-Street Band of Pittsburgh.” In addition, Pittsburgh Mayor Bill Peduto has proclaimed July 17th as “Nied’s Hotel Band Day” in honor of the bands impact on the local music scene and their unwavering support of charitable causes.
The band includes some of the best-known and respected players in the region, including singer John Vento (who is, perhaps, the hardest-working front man around), guitarists Tim Hadley and Jim McCullough, plus keyboardist Fred Delu and sax man Ed Jonnet, who last joined forces as members of Pittsburgh’s most beloved rock/soul band – The Rhythm Kings. Newest members Eugene Perry (bass) and Greg McIltrot (drummer/vocalist) complete the stellar lineup. For more information on Nied’s Hotel Band, please visit their website.
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Album Review
“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories
Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.
“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.
Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.
Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.
Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.
Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.
For more information about Katie Curley, please visit [website].
CLICK HERE TO STREAM Katie Curley’s EP “Big Colored Lights“ on Spotify.
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Artist Spotlight
“I Just Want You” by Kina ft. Trevor Daniel delivers a heartfelt serenade for beautiful yearning
In “I Just Want You” by Kina, the 24-year-old Naples-born lo-fi pop maestro behind the platinum hit “Get You The Moon,” featuring Trevor Daniel, crafts a stirring sonic anthem that feels like an intimate whispered confession to the soul. The track radiates a sense of vulnerability, merging Kina’s trademark melancholic production with Trevor’s emotionally charged, velvety vocals in a seamless fusion of emotion and sound.
Right from the start, Kina’s minimalist yet lush instrumentals, with muted beats and delicate piano lines, hum in the background like a pulse, setting the stage for Trevor Daniel’s heart-on-sleeve delivery as he croons about yearning for connection. The song’s emotional gravity is undeniable, each lyric feels weighted with sincerity, a heartbeat echoing the universal ache of missing someone.
The production exemplifies Kina’s quintessential hallmark style, which is characterized by its understated but impactful nature. A warm tapestry of lo-fi elements, soft keys, atmospheric synths, and subtle percussion wraps around Trevor’s vocal performance, creating a cozy, intimate, cinematic soundscape ideal for those quiet moments when you reflect on your feelings.
What really makes “I Just Want You” unique is its ability to mix personal vulnerability, timeless vibes, passionate lyricism, and broad relatability. It’s almost as if the artists invite listeners to relive their sweet memories in a cocoon of love, translating unfiltered emotion into a beautiful melody long after the song ends.
In just under three minutes, Kina and Trevor Daniel remind listeners that sometimes, we really need honest expression set to a simple, lovely tune. “I Just Want You” is a sonic open letter to the heart of anyone who has ever loved, making it impossible not to feel the pull of its charm.
CLICK HERE TO STREAM Kina’s “I Just Want You“ on Spotify.
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