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After Going Undrafted, Sheck Wes Drops A Song About The NBA Draft And Vows To Try Again Next Year

‘Next draft.’ …

This morning, Myles Powell, the former Seton Hall Pirates guard who was named the Big East Player Of The Year, was trending on Twitter, as many were shocked that he wasn’t selected in yesterday’s NBA Draft. He wasn’t the only big name who went undrafted last night, though. Yesterday, Sheck Wes, the rapper who last played competitive basketball in high school, revealed that he had declared for the draft. Perhaps unsurprisingly, no NBA team saw a Sheck-sized hole in their roster, so the rapper was not picked.

Posting a photo of himself playing ball ahead of the draft, he wrote, “Damn… it’s really real , The 2020 NBA DRAFT , all my life I always wanted to follow my passion for music and basketball . Playing basketball and going to play pro in the @nba is something that I always strived for . Tonight that dream comes true!” It turns out Sheck’s draft aspirations were a promotional stunt: Following the draft, he released a new single and video, “Been Ballin (Draft 2020).” The video is very much Uncle Drew-inspired, as Wes put on aging make-up and surprised younger players at a park court.

Sharing the video, he wrote on Twitter that he intends to try his luck at the draft again next year: “STRANGEST DRAFT EVER , I AINT TRIPPING I WILL COME BACK NEXT YEAR 29 TEAMS WILL REGRET THIS NIGHT. BACK TO THE GYM. BEEN BALLIN !!!!” He also wrote in another tweet, “Next Draft.”

Watch the “Been Ballin (Draft 2020)” video above.

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Artist Spotlight

E.G. Phillips explores cosmic escape with “Please Don’t Make Me Come Back from the Moon”

E.G. Phillips

E.G. Phillips’ new release, “Please Don’t Make Me Come Back from the Moon,” is a track that drifts effortlessly between genres and atmospheres. “Please Don’t Make Me Come Back from the Moon” is an experience that feels suspended in time and space.

Blending alt-folk with jazz-fusion touches, the track creates a dreamy and unpredictable wave of radio-static textures that ripple beneath the verses, giving the impression of floating through an unfamiliar yet comforting universe. There’s a sense of detachment here, as if reality has been left behind entirely.

Just as listeners settle into its hazy rhythm, the bridge shifts gears into a jazz-rock groove, complete with trumpet lines that subtly nod to a fusion-inspired legacy. This transition feels organic, enhancing the track’s exploratory nature rather than disrupting it. “Please Don’t Make Me Come Back from the Moon” is a beautifully strange offering that invites listeners to step outside themselves and embrace the unknown, even if only for a few minutes.

Connect with E.G. Phillips on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

Captain Iron and the Windrift Band put on a sci-fi pop show with new release “Ultra Sound”

Captain Iron / Windrift Band

Captain Iron / Windrift Band opens a vivid portal with “Ultra Sound,” a bold, creative dance-pop song that fully embraces cinematic storytelling. From the outset, the track establishes itself as more than just a catchy club-ready anthem, it’s a narrative-driven experience wrapped in glossy, futuristic production.

“Ultra Sound” is a great track because of its unique idea, a sexy fembot synth lures astronauts into a trap, then uses an ultrasonic tractor beam to steal their ship. It’s fun, a little strange, and very different from what you usually hear in pop music. This lets Captain Iron show off his unique lyrical style. The story feels like it’s moving forward with each beat, like it’s a movie.

It’s easy to see how “Ultra Sound” could grow even further with full-scale production or collaboration, since its foundation already offers plenty of possibilities. Captain Iron / Windrift Band gives us a song that is both fun and smart. “Ultra Sound” doesn’t just want people to dance, it wants to take them to a colorful, imaginative world where stories and sounds come together thrillingly.

Connect with Captain Iron / Windrift Band on Spotify || Twitter || Youtube

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