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Alexander Joseph released his latest EP, “Stop and Breathe”

Alexander Joseph

Alexander Joseph has released his latest EP, “Stop and Breathe.” The EP comprises of four tracks, each exploring different themes such as environmentalism and self-discovery.

The opening track “I Wanna Believe” is a powerful anthem that highlights the issue of global warming and emphasizes the collective responsibility we share to protect the environment. Joseph’s emotive vocals and poignant lyrics make for a compelling listen.

In “Guiding Star,” Joseph takes us on a journey of self-discovery, showcasing his ability to craft vivid stories through his music. The track weaves a narrative around a lost soul searching for direction, blending folk and rock influences uniquely and captivatingly.

The title track, “Stop and Breathe,” serves as the EP’s centerpiece, featuring an atmospheric soundscape that encourages introspection and reflection. Joseph’s lyrics urge us to pause amidst life’s chaos, emphasizing the importance of taking a moment for oneself.

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As the EP comes to a close with “Awake,” Joseph encourages listeners to embrace their true potential and keep an open mind. The track serves as a fitting finale, leaving a lasting impression of inspiration and possibility.

At just under 13 minutes, “Stop and Breathe” is a concise yet powerful musical journey that showcases Alexander Joseph’s exceptional talents as a musician and storyteller. With each track, Joseph’s soulful vocals and thoughtful lyricism create a deep and personal connection with his audience.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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