Music
All The Best New R&B From This Week That You Need To Hear
Getty/Uproxx Studios All of the best R&B songs released this week from Danileigh, Masego and Tone Stith. …
Sometimes the best new R&B can be hard to find, but there are plenty of great rhythm and blues tunes to get into if you have the time to sift through the hundreds of newly released songs every week. So that R&B heads can focus on listening to what they really love in its true form, we’ll be offering a digest of the best new R&B jams that fans of the genre should hear.
This week, Danileigh released her album Movie, Masego shared his song “Mystery Lady” with Don Toliver, and Tone Stith dropped off his love ballad “Devotion.” Check out the rest of the best new R&B music below.
Danileigh — Movie
Danileigh‘s second debut album Movie is here. The talented singer, rapper, songwriter, and dancer tapped in with Partynextdoor, Ty Dolla Sign, DaBaby, Gunna, and other industry heavyweights for the 16 track project, which includes the previously released singles “Monique” and “Dominican Mami” featuring Fivio Foreign. Danileigh did not come to play with her sophomore effort Movie.
Masego — “Mystery Lady” Feat. Don Toliver
Masego and Don Toliver connect for the music video to their sweet melodic jam “Mystery Lady.” The visual is complete with wavy beach vibes and a glowing sunset, while Masego aimlessly follows the object of his affection. The vibrant track lives on the singer’s recently released EP Studying Abroad.
Tone Stith — “Devotion”
Tone Stith is giving all his “Devotion” to the love of his life on his latest romantic ballad. Produced by Swagg R’Celious, with crazy guitar work by Stith himself, the rising R&B singer (who has Drake’s stamp of approval) delivers a song with a tenderness that is much needed during these times.
Foushee — “Single Af”
Most people have heard Foushee’s viral TikTok song “Deep End.” The full-length song is just as good as the 15 seconds TikTokers are used to and so are the rest of the songs Foushee has tucked away including her recently released “Single Af.” Much like “Deep End,” on “Single Af,” Foushee beautifully basks in her feelings of singledom over somber production.
Phony Ppl — “On My Sh*t” Feat. Joey Badass
Phony Ppl tapped in with one of the best in the rap game for their latest track “On My Sh*t,” fellow Brooklyn native Joey Badass. The jazz-funk band’s album is expected to come sometime next year and is set to include their viral jam “Fkn Around” with Megan Thee Stallion.
Sainvil — “The Big Bounce Back”
Buzzing singer Sainvil continues to carve out a lane of his own with the release of the visual for his track “The Big Bounce Back” off his recently released project 2020 Was Hijacked. Wrapped in melodic fervor, Sainvil delivers a motivational message to never stay down after a break-up (or anything else in life that could keep you down).
Jayla Darden — “Let You Go”
Following up on her single “Demonstration,” Jayla Darden arrives with another R&B goodie this year titled “Let You Go.” Produced by Grammy-nominated hitmaker Bizness Boi, Jayla offers fans a taste of what’s to come after 2019’s Onto Something.
Otis Kane — “Fight For Love”
All is fair in love and war and rising R&B singer Otis Kane shared his passionate single “Fight For Love” to express just that sentiment. Featuring an intoxicating guitar solo, the Los Angeles native vocally exhibits what love really is.
Love Mansuy — (món-swee) side B
Love Mansuy makes good on his promise with (món-swee) side B, the follow-up to (món-swee) side A. Side B is still five songs deep like side A, but only Mansuy makes an appearance without any features.
Savannah Re — “Solid”
Toronto singer Savannah Re is making a name for herself here in the states as she works on her forthcoming EP Opia with Boi-1da. Her single “Solid” is a lovely demonstration of her vocal purity and why she’s up next.
Aya Nakamura — Aya
Malian-born, French singer Aya Nakamura has released her self-titled album Aya. The project features 17 songs with guest appearances from Stormzy on “Plus Jamais” and Ms. Banks on “Mon Lossa,” as well as her platinum hit “Jolie Nana” and Afropop goodie “Doudou.”
Check out this week’s R&B picks, plus more on Uproxx’s Spotify playlist below.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
CONNECT WITH Tom Minor | Facebook |
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