Indie

Amelia Ray turns the page on deception in new single “Pretending to Read”

With a moment to observe hidden behind a book cover, Amelia Ray is back with her new single, “Pretending to Read,” her latest slice of city life seen imaginatively, which says everything without ever looking away from the page. In a handful of lines, Ray captures the poetry, awkwardness, and gentle intimacy of the subway ride with the strangers. “Pretending to Read” explores the art of being unseen while seeing everything, a sentiment many city residents can relate to. It’s a moment saying our protagonist is riding on public transportation with a book not to read, but as a prop. Ray tells the story in her familiar lyrical humor and quiet intensity.

There’s a conversational flash in the delivery, as if she’s letting you in on a secret. The single finds a casual groove musically, making it easy to ride the rails between residents’ storytelling. The production is clean and intimate, ensuring that Ray’s voice and sharp imagery are right up front. Instead, what’s truly remarkable here is how “Pretending to Read” gets into the head of the person in the corner, the quiet observer. It connects to those of us who have ever used a book or headphones as a shield, a means to tune in while tuning out. It’s voyeurism in an introvert’s costume, and Ray turns that psychological contradiction into art.

Its intelligence lies in its temperance in what it says by what it declines to say. The subway becomes a cross-section of humanity, and Amelia Ray turns into its nosy narrator, leafing through the unspoken pages of strangers’ lives. Amelia Ray is here to remind us with “Pretending to Read” that some of the best stories are discovered when you’re not technically reading them at all. If you’ve ever observed the world from behind a book, this song is for you, and your gentle reminder that sometimes, looking is a kind of listening.

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Sofi Vonn shows that electronic pop can be deep, soulful, and emotional while still being classy. The single fits perfectly into the EP’s emotional framework, where longing meets awareness, desire meets consequence, and beauty meets pain. It’s late-night realism wrapped in dream-pop, and Vonn seems like the perfect person to represent this mix.

“Selfish” is a voice trying to be real, both with other people and, maybe more difficult, with itself. Vonn turns complicated things into simple ones, and in “Selfish,” Sofi Vonn shows that the modern pop scene still has room for subtlety, emotional depth, and authenticity that isn’t too flashy but still makes a big difference.

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Cali Tucker Unwraps Christmas Magic With Her New EP “Santa Baby”

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