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Chance The Rapper And Dionne Warwick Are Collaborating On Music After She Roasted Him On Twitter

While on ‘The Late Show’ to talk about the reissue of his Christmas album, Chance addressed getting a shout-out from the living R&B legend. …

Twitter can be both a gift and a curse, depending on who’s using it, when, and why they’re using it. Fortunately for all of us, R&B living legend Dionne Warwick has been a true blessing for the past few weeks, using her profile to engage with fans and tease the young generation of artists currently ruling the charts. One of those artists was Chance The Rapper, who told Stephen Colbert during his appearance on The Late Show last night that getting roasted by Warwick has led to the two collaborating on new music together.

“I was very surprised that she knew who I was,” Chance admits. “But it was awesome. We’re working on a song.” The incredulous Colbert stopped him for confirmation that the two artists really are collaborating, leading Chance to call the opportunity “a huge, immense honor.” He then detailed how her Twitter shout-out led to the connection, although he conveniently left out the part where she prodded him with the question “If you are very obviously a rapper why did you put it in your stage name?” However, she did also say “Holy,” his collaboration with Justin Bieber, is one of her favorite songs, so it’s clear her teasing was out of love.

“It feels like my first taste of fame,” Chance joked. “I went to Starbucks the other day and they’re like, ‘Are you the guy who got tweeted by Dionne Warwick?’” The guest and host also spent some time reminiscing about Chance’s first mixtape 10 Day, how he and his wife Kirsten are being “defeated” by their two little girls in quarantine, and the open mic that launched Chicago’s group of peers, including Noname, Saba, and Vic Mensa, as well his reissue of Merry Christmas Lil’ Mama.

Watch Chance’s interview with Stephen Colbert above.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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