Album Review
Belle Lundon Gets Emotional and Existential on “Space Cadet”
Belle Lundon is a multifaceted artist excelling in music, acting, and songwriting. Raised in New Orleans and now based in Houston, her artistic journey blossomed at the California Institute of the Arts. In 2016, Belle won a Coca-Cola music competition, leading to a performance at the Apollo Theater in New York where she captivated audiences with “He Wants It All” by Forever Jones. Beyond covers, Belle’s original song “My Soul to Keep” earned her the W.A.M. Award for Best Gospel Song in 2020. Belle’s passion lies in sharing her music globally, with dreams of embarking on international tours, always striving for authenticity, success, and happiness in her artistry.
Her latest single, “Space Cadet” captures the internal struggle of feeling overwhelmed and seeking redemption and support. It conveys a narrative of personal turmoil, mistakes, and the human desire for a sense of upliftment and understanding. The recurring motif of drowning and being lifted up symbolizes the search for hope and assistance in times of despair.
The lyrics delve into themes of vulnerability, redemption, and the human condition. The repeated lines “Feels like I’m drowning, grab my hands and lift me up” suggest a plea for help and connection, emphasizing the universal need for support and understanding. The contrast between “giving up” and “not giving up” reflects the internal conflict between resignation and resilience. The mention of “Subliminal like haiku” indicates a nuanced and profound communication of feelings, akin to the brevity and depth of haiku poetry. The invocation of “Chrios” could symbolize a call to a higher power or inner strength, adding a spiritual dimension to the song’s exploration of seeking guidance and clarity.
For further thematic exploration, artists like Sufjan Stevens, with his introspective and often spiritual lyrics, and Florence + The Machine, known for their poetic and metaphysical themes, would resonate with the mood and style of “Space Cadet.”
“Space Cadet” seems to be a richly textured song that weaves together themes of struggle and resilience with a musical backdrop that spans pop, R&B, and electronic genres, infused with elements of dream pop and synth-pop. The song’s narrative centers on the journey through hardship, underlined by an emotional plea for support and the hope for a brighter, more euphoric future. Its lyrics reflect a deep sense of being overwhelmed yet underscore a strong will to persevere and overcome, making it a poignant anthem for those facing their own battles.
The combination of hopeful, resilient, and determined moods with the thematic focus on struggle, resilience, and support creates a compelling contrast against the relaxed, dreamy, and ethereal tones provided by the music’s instrumentation. The use of synth, drums, guitar, and piano, alongside the subgenres like chillwave and lo-fi, suggests a sound that is both introspective and uplifting, capable of transporting the listener to a state of contemplation and solace.
This duality between the song’s thematic depth and its sonic atmosphere might be what Belle Lundon aims to convey: a message that even in the depths of adversity, there is a space for dreaming, hope, and finding support, whether through personal connections or the universal experience of music. “Space Cadet” appears to be an invitation to acknowledge our vulnerabilities and struggles but also to remember the strength and resilience within us that helps to navigate through tough times.
–James Watkins
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Never Heavy Releases “Never Heavy Is One Full of Light”
Steve Alex’s new album is Never Heavy Is One Full of Light. The former frontman of the nineties alt-rock band Four Star Riot has forgone excess production value for a simpler, much more acoustic touch. The album skews the distinctly modern with the excess throwback, something decidedly in for the last couple of years because of romanticization of the past.
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It could be the sixties, with the sexual revolution fashion and counter-cultural zeist, the seventies being the era of the singer-songwriter juggernauts, when the maestro of the excess confessional was sexiest person of the year. “Never Heavy Is One Full of Light” skews the latter excessively, literally starting with the title, down to the lyrics Alex has written for each track. The album also reflects the era because of the fact each song is a story, all thematically linked, with beginnings middles and ends. The other thing very much a welcome throwback is how personal Alex makes each song, feeling like a vulnerable creative expression.
What makes the album as a whole compete aside from nostalgia is the assuredness with which Alex performs each track. It’s unusual to feel like an artist has their own material on lock, there naturally being hits and misses throughout the course of their career, even their own, individual releases. I’m pleased to say Mr. Alex never falls into any traps on that front. The album is insanely consistent, maddeningly so. I would have liked to see a few cracks here and there, but all in all it’s a solid and entirely immersive achievement.
There’s a visceral quality to each of the tracks, something deeply gripping not just about the music itself but the stories it tells. Storytelling is the lost art of songwriting, much like poetry it’s about speaking to the heart in addition to the mind, conjuring immersive emotive experiences not easily dismissible even when it ends. A lot of this in Alex’s case likely points back to his experiences as rock frontman for Four Star Riot. It’s clear he’s carried this over to “Never Heavy Is One Full of Light,” once stating in an article with V13 Media: “The stage is a great leveler. It is the true yard-stick by which an artist can be measured.”
In the same article, Alex was quoted as saying, “The only reason to be in a rock band is to play live, period…The energy that is given during the show between the band and the audience is the most exhilarating thing I know. It’s fun as well as emotional, but I guess the best part is the danger. My Pseudo-dance and swagger has in the past, produced sprained ankles and bloody puncture wounds. Y’know, the possibility that at any moment the whole thing can fall apart, but that is the beauty of live performances, it’s here, then it’s gone and on to the next song.”
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He carries this mentality to the soft rock nature of his independent release. In many ways, the aforementioned sentiments have never proven more relevant. People crave connectivity in this era, with polls regularly pointing out depression, isolation, and a lack of social cohesion are at record highs. It’s nice to see someone turn back the hands of time on that front, if just a little bit, reminding us about everything that works outside of the corporate-controlled, digitally enhanced world of the top forty still has it.
Loren Sperry
Album Review
David Jame$ Drops a Genre-Blending Banger with “Country Trap Party Feat Jamie Ray”
David Jame$‘s new song, “Country Trap Party” feat Jamie Ray. It’s a lively mix of trap and country music that will get you in the party mood. The song has a catchy beat that combines the best of both genres and will make you want to dance all night long.
The song blends modern trap beats with classic country sounds to create something new and exciting. David Jame$’s smooth voice and memorable choruses make this song really stand out.
“Country Trap Party” is a song that describes a fun and rebellious night out. Whether you’re driving through the countryside or hanging out at a local bar, this song is perfect for any party that lasts all night.
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