Album Review

Stephanie Bettman’s Latest Single “Beautiful Day”

You don’t have to be the biggest folk-rock fan around to appreciate the depth of emotionality in Stephanie Bettman’s new solo single “Beautiful Day,” as its plethora of melodies give us everything that listeners need to know in its running time. Like the other songs found in her growing discography, “Beautiful Day” sees Bettman experimenting with palatable pop sounds, blending influences from the folk spectrum whilst providing us with a familiar rhythm that doesn’t get flimsy by the second stanza. It’s among the more straightforward singles that I’ve heard in the last month, but if you’ve got an ear for toned songcraft, you’d be seriously pressed to find another track like this one.

The instrumentation is telling us a story all its own in “Beautiful Day,” and I think that, were it not presented in such high-definition clarity, this single probably wouldn’t be as engaging as it is in this form. Bettman is a very talented singer, but the soundscape that she uses as a sonic canvas to apply her acrylic vocal textures is quintessential to getting her point across here. There’s something to be said about the players that she’s gathered together for her backing band, and I hope that they continue to work together as she creates a full-length album with this song’s emotive template at the foundation of every composition. There’s a wholesomeness here you don’t find very often anymore, and I want to hear what it can produce with more creative breathing room.

I am more than curious about what Stephanie Bettman would sound like in a live setting after hearing “Beautiful Day.” She’s got a fetching and rather approachable charisma in this song, and in many ways employs her microphone as a gateway into the storied past of 70s singer/songwriters. Bettman channels a lot of Joni and Melanie here, but even though she’s wearing her influences on her sleeve, her stylish musical persona isn’t rooted in the throwback/retro culture that has gotten a little tiresome in the last few years. It’s one thing to be inspired, but unlike some of the artists making big mainstream gains this spring, this is one singer who isn’t looking to live her life in a time machine.

I haven’t been able to put this song down since I first picked it up, and once you give “Beautiful Day” the chance to sink its hooks into your chest, I think that you’ll share my sentiments. It’s an intoxicating meld of old and new, both retro and surprisingly modern where it matters the most, and even taking into consideration its nonconformist design, it’s still more accessible than the more commercial folk/pop that you might have come across this season. Stephanie Bettman’s career is picking up a healthy amount of steam at the moment, and if this song gets into steady rotation on the college radio airwaves this summer, it’s going to be a lot harder for her competitors in the American underground to keep up with her momentum heading into the latter half of 2024.

Gwen Waggoner

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Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Album Review

Mt. Kili Mt. Kili delivers quiet power and honest reflection on “The Noticer” (album)

Mt. Kili’s latest album, “The Noticer,” is a warm, contemplative acoustic folk album that finds beauty in the minutiae of life itself, as calm and bare as anyone would call it. Songwriter Rick Sichta of Asheville leads the project with delicate instrumentation and outspoken lyrics, bringing forth an experience that can be both personal and universal.

Recorded at Echo Mountain Studio in Asheville, the music is refined and mastered by Grammy Award-winning Julian Dreyer and David Glasser. The current lineup still embodies this vision, with Matt Shepard holding down a heavy rhythmic backbone and Laney Barnett’s violin and vocals rounding out the sound, creating emotion.

There is a story and emotion hidden within each track. The EP opens with “Don’t Start a War,” which opens contemplatively, begging for peace rather than war. The title track, “The Noticer,” exudes a sense of awareness and the beauty of watching life unfold. “The Rain Song” features a soothing, near-meditative vibe.

With a hopeful reflection, “The Road Isn’t as Long as It Seems” is about perspective and perseverance. “Her Song” is pretty much a musical love letter, and “Kyle” is defined by its character-driven narrative. With “The Weather Report,” the change of feeling is reflected, while “Scars “ and “Strawberry Fields” hint at memories and softening imagery. “All in Good Time” concludes the record patiently, a soothing sigh of comfort. “The Noticer” is a reflective album with a soft reminder that sometimes the smallest moments mean the most.