Artist Spotlight
Exclusive Interview with Navajo R&B Artist Elet
Arizona-based singer-songwriter Elet is honoring his Navajo heritage through the release of his music, recorded partially in the language of his ancestors. He sat down with us for an exclusive interview, to talk about his career, his music and what’s next in 2024…
You are the very first Navajo r&b singer-songwriter. Tell us about your heritage…how far back have you traced your roots? What inspired you to infuse Navajo lyrics into your music, and why r&b?
It’s very frightening to being one of the first Navajo R&b artists, and hopefully not the last. I live in Flagstaff, and have been excited seeing what is alive in or around Flagstaff. The Navajo culture is very much alive, and anyone who feels called to come and see the culture – who’s stopping you? And I can trace my roots back a few generations, and it’s hard to know what is mythical – from the enchanting stories given to me. The R&b music came to me, and I happily sang along with it.
You mention your great-grandmother and your grandmother in previous interviews. What did these ladies mean to you, in your upbringing?
These ladies come with a lot of wisdom, and wisdom is very dear to me.
Tell us about “A Night Alone.”
“A Night Alone” is a first hand account about heart break, loneliness, and frustration – emotions I hope very few have gone through. And through one being alone, in the night, they must find a way to not become bitter. That is T’áá Sáhá Tł’éé Neikai.
Any plans for touring behind this release? Are you more a fan of studio or live performance?
I have something cooking right now. I’ve heard the songs plenty of times in the studio, and pretty I’m curious to see how it sounds on stage.
What’s next for Elet? What are your goals/plans for 2024?
Artist Spotlight
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“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.
The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.
Connect with Loris Tils on Spotify || Facebook || Instagram || Youtube || Soundcloud
Artist Spotlight
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The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.
“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.
“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.
Connect with Glass Mansions on Spotify || Instagram || Facebook || Youtube || Tiktok || Twitter || Soundcloud
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