Music

Stephan Folkes stretches truth in soul-stirring “Say it like you mean it (longer version)”

UK artist Stephen Folkes drops “Say it like you mean it (longer version),” a bold & beautiful detour. At nearly five minutes long, the track is the equivalent of a slow exhale, a gentle, drawn-out conversation that isn’t clamoring toward a finish line, and that’s precisely the point.

An uprising voice from the UK’s scene, Folkes offers listeners a room that feels emotionally raw and sonically polished. “Say it like you mean it” (current version). The extended version of “Say it Like You Mean It” isn’t just a bonus cut; it’s a head-in, full-bodied experience that embraces vulnerability with poetic grace. Every line feels lived-in, like Folkes is unloading conversation that most of us have had somewhere around 2 a.m. when truth stings a bit more, and silence says more than speech.

There is a palpable restraint from the first note, not the tentativeness. The production is minimal but tailored, allowing the warmth of Folkes’s vocal delivery to take the lead. His voice exists in a state between ache and acceptance throughout, never once over-singing, though constantly uttering precisely what it has to. That fine line between confession and craft gives the song such longevity.

What’s most striking is how the song breathes. The instrumental, pacing, and pauses between lines allow listeners to feel, think, and connect. In a culture trained on the skip button, Folkes assumes his audience will stick around, sit with the emotion, and listen, and the trust pays off.

With “Say it like you mean it (longer version),” Stephan Folkes stretches the tune and deepens its effect. It’s a great reminder that sometimes when you slow down and savor the moment, the message hits closer to the heart. If you’re yearning for good music that feels true, though, this is one worth spinning because it feels honest. Let it sink in a little further each time.

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Artist Spotlight

Boorook creates a hip-hop anthem for change on “Fight For Your Rights”

Boorook’s latest release, “Fight For Your Rights,” is both a song and a movement. The Indigenous people have a strong voice, and from the first beat, the song has a strong, urgent, and very human energy. “Fight For Your Rights” is an example of how conscious hip-hop can serve as art activism. The track is about unfair systems, and it’s clear that it supports the Black Lives Matter movement. Clarke’s performance is more than just a show, it’s a call to action that tells people to face hard truths and connect with the pulse of community and defiance.

Thomas Lorenzo’s live guitar adds an unexpected yet beautiful layer, giving the rhythm an emotional depth that makes it feel soulful. The track sounds real because it has real instruments and hip-hop beats. This shows how good Boorook is at mixing styles and still getting the message across.

People feel like they are part of a group when they listen to the song “Fight For Your Rights.” The lyrics are deep, and the music is good. It’s a song that makes people want to get together, think, and do something. Boorook doesn’t just play music; he makes people feel strong by turning every beat into a heartbeat for change.

Artist Spotlight

Malammore unveils a new voice rising from portugal’s margins on new album “Aurora”

Malammore, whose real name is Sandro Feliciano, is a singer, songwriter, and producer from Lisbon, Portugal. “Aurora” is his first album. The album comes out on January 23 and tells the story of his life as a young Black man, his search for belonging, and his country’s cultural resistance. The lyrics talk about love, adoption, thoughts on humanity, and how the artist sees his role in the world. The concept for the album originated from a notebook containing poems, narratives, and my self-perception within this world. It’s a record of the Black experience in Portugal, of belonging and feeling alone, of love and loss.

Sandro, also known as Malammore, was born in 2005 and lived with the Portuguese State for two years until he was adopted in 2008, which was a big change in his life. One of the main ideas in Aurora is to turn the idea of a “black hole” into “the world’s white hole,” which shows a universe that erases identities. He challenges dominant narratives and changes how people see black bodies in society by filling it with the idea of blackness.

The album mixes hip-hop, rap, trap, and spoken word, which is not something that is usually done. Malammore gets the political tone of the project from people like Malcolm X, Muhammad Ali, Angela Davis, and Fela Kuti. No Icon (Rodrigo Fernandes) did the production, mixing, and mastering for the album at Lisbon Sound Society.

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