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Artist Spotlight

Exclusive Interview: Rising Artist Awall MG

Hello Awall MG, Thanks for coming to Honk Magazine to talk about your career.

Tell us a little more about when you first got into music? 

I’ve been around music since I was born. My family is a pretty musical family so I was always surrounded by it. My dad had his own studio where the first famous person I met was Gladys Knight and the pips. That was my very first introduction to the musical environment. By 2 years old I had my first keyboard by 3 I was banging on drums and it kinda just kept going from there. 

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If you could describe your sound/style in one word, what would it be and why?

VIBES!  Most of my songs I make are from a real perspective but I make it to where it just sounds good and it cultivates the listeners ears to take em to a place where they can relate but also feel good about

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What would you say to any aspiring recording artists who look up to your work?

I would say never give up on what you love most. That means fight through any obstacle life gives cause it only happened to make you a stronger person And never put all your eggs in one basket!

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What quote or mantra do you live by?

LIVE GREAT TO BECOME GREATER.

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That’s my slogan for my company Live Great Productions. It basically says like we are living to be great but once you make it go beyond that and then beyond that too!

What is your hobby outside of music?

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When I’m not doing music I’m usually playing video games. I just got into the twitch community. I play basketball and football on a recreational level ..and cooking I love to cook

Where do you see yourself in 5 years?

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In 5 years I’m gonna be one of those names that you see in the big festivals like Rolling Loud or Coachella. I’ll be engineering still but super exclusively cause I really see myself as one the next best Producer/Artist on the come up.

Do you have anything new or upcoming we can expect to see from you?

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 I got lots of singles I’m dropping in 2022 along with visuals of course and doing more shows in the ATL scene. Also as a Producer I’ll be launching my website this month so the public can buy them. Before I was just making beats exclusively in front of them.

What is the inspiration behind your latest song?

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My last song OWN is about two girls really. One girl I dated for about 3 years then we went our separate ways.. the other girl I met around Thanksgiving of 2021 thinking she could be the one cause the new girl I really liked a lot but somehow we drifted and I can’t lie that shxt was hurting my soul so that’s why I say I’m on my own and it probably better off that way until I meet Ms Right

What are your “5 things I wish someone told me when I first started” and why. Please share a story or example for each.

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Get a internship Right after school: I didn’t start interning at other studios till probably 4 years after I graduated from Music School..No regrets about it but it could have sped my process up and learned more earlier

Don’t be Afraid To Make Mistakes but don’t make it happen Twice: When I first started working at Patchwerk Studio I recorded Cocoa Vango.He was the first major artist I got to work with there. The session was probably my worst ever. He was very frustrated with me the whole time but he knew I was new so it just went with the flow…That session taught me things I should be doing and I never made a mistake like that again..Which is why I’m still at Patchwerk till this day.

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BE VERSATILE: I Engineer both studio and live. I’m an Artist. I’m Also a musician of 7 different instruments (Drums, Piano, flute, baritone, sax guitar and bass) and a producer and learning how to DJ. Doing all those things made me stand out vs ppl who just engineer or just produce.. I’m a one stop shop basically and ppl these days love that. And learning one skill helped me learned another along the way 

GET OUT THE BEDROOM: For a while I was the producer who made beats And posted it in a beat store and just showed off on social media.. IT GOT ME NOWHERE. I still had to work a regular job and live in my parents house.. When I started networking at different events or applying to studios that’s when life changed quickly.. More ppl were hearing me which grew my outside presence but also my social media at the same time. Now I’m in rooms with major Artists getting paid way more and literally paying everything just by creating music 

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GET RID OF SELF DOUBT: I used to compare myself to others like my music doesn’t sound like theirs or wondering if ppl gonna like what I put out. All that self doubt just made me think too much instead of having fun… The moment I got major confidence for myself is when the music was sounding good ppl were buying beats that I made quickly… and that confidence transfers to others now they wanna give you a chance with a bigger deal 

Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out” ?

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Just make sure whatever you doing that you love it..Cause I’ve burned myself out a couple of times but I love music so much I was able to find something to learn or something new out my comfort zone that made me fall in love with it like it’s my first time making music

How can our readers follow you online?

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On all platforms I’m AWall_Mg insta twitter twitch all that

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Artist Spotlight

“Call It” by Sunset Salore stirs an anthemic tapestry of self-worth

Sunset Salore

The Melbourne-based artist, singer, and songwriter Sunset Salore, known for her enchanting alternative pop sound, returns with “Call It,” a compelling declaration of self-worth that’s both a breath of fresh air and a sonic revelation. This track, the first sneak peek into her upcoming EP, ‘Love Kills the Monsters,’ draws clear inspiration from the charismatic styles of Florence & The Machine, Meg Mac, and Baker Boy musical influences. It’s a unique blend of haunting melodies and profound lyrics that addresses the frustrations and disappointments of leaving that often go unnoticed but collectively signal that it’s time to make a change or reclaim sanity.

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Call It” doesn’t tiptoe around the issue with anyone ever feeling undervalued in relationships. It dives headfirst into the micro-moments of relationship dynamics that wear down one’s spirit, capturing the decisive moment when one realizes one deserves more and demands better for oneself. Sunset Salore’s assertive vocals soar over an alternative pop soundscape, making it impossible not to feel the empowerment in her words. What makes “Call It” stand out is its ability to convey a universal sentiment through deeply personal reflections that channel vulnerability into strength.

Musically, “Call It” is a shining example of her sophisticated artistry in production. It was written during a crucial stage in Salore’s creative and introspective period, allowing her to dissect those critical life-changing moments. This makes the song relatable and impactful, enhancing the emotional journey without overshadowing the poignant message.

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Sunset Salore challenges the societal tendency to shy away from labeling relationships, emphasizing that how we treat each other holds more weight than any label ever could. Her bold assertion, coupled with her enchanting vibes, make “Call It” a sonic anthem for anyone navigating the crossroads of their self-respect and relationship expectations. It simplifies the equation and raises the bar for what we should demand in our relationships and from ourselves.

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For more information about Sunset Salore, please visit [website]. 
CLICK HERE TO STREAM Sunset Salore’s Call It on Spotify.
CONNECT WITH Sunset Salore | Instagram | Facebook |

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Artist Spotlight

Plasma Chasms sparks a cosmic love affair with “Interstellar Baby”

Plasma Chasms

Produced, mixed, and mastered by Electric Rabbit Studios, Plasma Chasms’ masterfully crafted latest single, “Interstellar Baby,” is an auditory odyssey that flawlessly blends the timeless charm of vintage soul with modern psychedelic twists. Formed in 2020 by the dynamic duo of Australian Jane Drewett and American Adrian Guerrero, Plasma Chasms have steadily carved out a niche in the indie-pop scene with their retro, gritty, and rhythmic garage sound, and this track feels like a dream, with shimmering, otherworldly sounds a testament to their evolving artistry.

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From the first note, “Interstellar Baby” envelops the audience in a cosmic embrace reminiscent of the golden era of Motown. The interplay of Jane Drewett and Guerrero’s vocals stands out, dripping with soulful intensity and complemented by lush strings and horns that evoke the spirit of Marvin Gaye. This sonic adventure through time and space, guided by the rhythmic heartbeat of Latin percussion and R&B grooves, creates a harmonious balance that’s soothing yet invigorating.

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The track’s impeccable production quality allows each element to shine while maintaining a cohesive, immersive sound. The new layers of psychedelic rock subtly interwoven into the fabric of classic Soul/R&B create a familiar and refreshingly new soundscape that transports listeners on a cosmic elevator ride through each floor, revealing a different flavor of psychedelia, from blissful reverie to rhythmic euphoria.

Interstellar Baby” is a stellar example of their innovative fusion, the third single from their much-anticipated debut album, ‘Chrysalis.’ This song promises to leave listeners eagerly anticipating what’s next, with catchy hooks and soulful delivery. Take the ride into Plasma Chasms’ world, and let “Interstellar Baby” transport you to a place where vintage soul and modern psychedelia meet in perfect harmony. By the end, you’re left humming the tune.

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For more information about Plasma Chasms, please visit [website]. 
CLICK HERE TO STREAM Plasma Chasms’ Interstellar Baby on Spotify.
CONNECT WITH Plasma Chasms | Instagram | Facebook |

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