Artist Spotlight
EMBRACING RECOGNITION IN THE MUSIC INDUSTRY—Stratøs
Short and sweet interview with Los Angeles’s rising star, Stratøs! He shares his favorite aspects of making music, working with veterans in the game, and more upcoming fresh music.
Let’s start off by introducing yourself, you know the basics like name, age, where you’re from. As much or little as you’re comfortable sharing.
My name is Stratøs, I’ll be 26 this October 1st, and I’m from Ann Arbor Michigan. I currently live in Los Angeles, California.
What’s the best advice you ever received concerning music?
That the learning process Is cyclical. I don’t need to (and in fact, can’t) learn a concept perfectly before moving on. I’m supposed to come back to concepts again and again. It can be years before I revisit something I’m practicing. This helped me get over the paralysis of trying to get something “perfect” before moving onto the next thing.
What would you have done differently if you knew then what you know now?
Practice, write, produce, photograph more when I was younger and had more time!
What is still your biggest challenge?
My biggest challenge would probably be just navigating the music industry as a whole. It’s a tough industry that’s currently not equipped to sustain actual musicians, and that’s a struggle every day.
What keeps you going when things get tough in the music industry?
The music does. No matter how tough things get, the art is still here. I’ll never stop making art because I simply cannot – it is my purpose in life. Taking a step back from your art is something stigmatized, but is perfectly okay, and healthy, and normal. This industry is grueling. It’s important to take a step back sometimes to gain perspective and preserve your sanity. It’s okay to step away for a bit and come back.
Talk me through your creative process.
There’s a lot that goes into my creative process. I’m a saxophonist, composer, producer, and film photographer, and each discipline takes a different set of skills. These days I’m doing a lot more composing because I’m working on my third album. My composition usually involves taking unrelated elements and try to make them relate. My tunes usually have some sort of concept at the core of them that I’m trying to work out.
How do you currently feel about the state of “Your genre” in general?
The state of “jazz” has always been interesting. Firstly because this style of music isn’t even really called “jazz,” because that was a name originally given to the music intending for it to be derogatory. This music falls under the “Black American Music” umbrella and from its inception it’s always been about progress and pushing boundaries. There’s a lot of amazing “jazz” these days because people from all walks of life and backgrounds are adding to it and making it more and more unique. It’s great!
If you could go open a show for any artist who would it be?
I’d love to open for Flying Lotus some day!
How do you solve productivity/scheduling problems and reduce overwhelming situations?
I keep an organized calendar, and I try to write things down.
What are you focusing your time on now?
As I kinda touched on before, I’m currently working on my third album. I don’t wanna say too much, but I’m using all of the resources and knowledge I’ve learned from all parts of the album making process and putting them into this record. Also, since I just moved to LA, I’m focussing on getting connected in the music scene here and just getting settled down.
How can our readers follow you online?
You can follow me on all social media platforms @stratostones, as well as my website www.stratostones.com. I also have a print shop where you can buy prints of my film photographs here: https://stratos.darkroom.tech/. You can buy my first album Planets here: https://stratosmusic.bandcamp.com/album/planets and my second album Hohenheim Suites here: https://stratosmusic.bandcamp.com/album/hohenheim-suites. I’m also on all of the streaming platforms like spotify and apple music, just search “Stratøs.”
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
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This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
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Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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