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Artist Spotlight

EMBRACING RECOGNITION IN THE MUSIC INDUSTRY—Stratøs

Short and sweet interview with Los Angeles’s rising star, Stratøs! He shares his favorite aspects of making music, working with veterans in the game, and more upcoming fresh music.

Let’s start off by introducing yourself, you know the basics like name, age, where you’re from. As much or little as you’re comfortable sharing.

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My name is Stratøs, I’ll be 26 this October 1st, and I’m from Ann Arbor Michigan. I currently live in Los Angeles, California.

What’s the best advice you ever received concerning music?

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That the learning process Is cyclical. I don’t need to (and in fact, can’t) learn a concept perfectly before moving on. I’m supposed to come back to concepts again and again. It can be years before I revisit something I’m practicing. This helped me get over the paralysis of trying to get something “perfect” before moving onto the next thing.

What would you have done differently if you knew then what you know now?

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Practice, write, produce, photograph more when I was younger and had more time!

What is still your biggest challenge?

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My biggest challenge would probably be just navigating the music industry as a whole. It’s a tough industry that’s currently not equipped to sustain actual musicians, and that’s a struggle every day.

What keeps you going when things get tough in the music industry?

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The music does. No matter how tough things get, the art is still here. I’ll never stop making art because I simply cannot – it is my purpose in life. Taking a step back from your art is something stigmatized, but is perfectly okay, and healthy, and normal. This industry is grueling. It’s important to take a step back sometimes to gain perspective and preserve your sanity. It’s okay to step away for a bit and come back.

Talk me through your creative process.

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There’s a lot that goes into my creative process. I’m a saxophonist, composer, producer, and film photographer, and each discipline takes a different set of skills. These days I’m doing a lot more composing because I’m working on my third album. My composition usually involves taking unrelated elements and try to make them relate. My tunes usually have some sort of concept at the core of them that I’m trying to work out.

How do you currently feel about the state of “Your genre” in general?

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The state of “jazz” has always been interesting. Firstly because this style of music isn’t even really called “jazz,” because that was a name originally given to the music intending for it to be derogatory. This music falls under the “Black American Music” umbrella and from its inception it’s always been about progress and pushing boundaries. There’s a lot of amazing “jazz” these days because people from all walks of life and backgrounds are adding to it and making it more and more unique. It’s great!

If you could go open a show for any artist who would it be?

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I’d love to open for Flying Lotus some day!

How do you solve productivity/scheduling problems and reduce overwhelming situations?

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I keep an organized calendar, and I try to write things down.

What are you focusing your time on now?

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As I kinda touched on before, I’m currently working on my third album. I don’t wanna say too much, but I’m using all of the resources and knowledge I’ve learned from all parts of the album making process and putting them into this record. Also, since I just moved to LA, I’m focussing on getting connected in the music scene here and just getting settled down.

How can our readers follow you online?

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You can follow me on all social media platforms @stratostones, as well as my website www.stratostones.com. I also have a print shop where you can buy prints of my film photographs here: https://stratos.darkroom.tech/. You can buy my first album Planets here: https://stratosmusic.bandcamp.com/album/planets and my second album Hohenheim Suites here: https://stratosmusic.bandcamp.com/album/hohenheim-suites. I’m also on all of the streaming platforms like spotify and apple music, just search “Stratøs.”

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Artist Spotlight

Philly and Suzy Uncork a Delightful Symphony with ‘Wine Kisses’

Philly and Suzy

Philly and Suzy’s latest track, “Wine Kisses,” showcases their exceptional musical skills and seamless integration of their musical styles. The duo’s expertly crafted melody and lyrics evoke a sense of rediscovery, joy, and vitality. Suzy’s velvety vocals and Philly’s soulful instrumentation intertwine seamlessly to create a rich and complex musical narrative.

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The composition of “Wine Kisses” is akin to a well-aged Bordeaux, with layers of musical complexity that are both intricate and accessible. The song’s infectious rhythm and chorus are a testament to Philly and Suzy’s innate chemistry and undeniable talent, leaving no doubt that they are a force to be reckoned with in the music industry.

The lyrics of “Wine Kisses” transport listeners to a world of moonlit vineyards and stolen moments, evoking images of the beauty and power of love and connection. The song’s celebratory nature reflects the duo’s shared experiences and the transcendent power of music.

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Stream HERE

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Artist Spotlight

Honk Magazine’s Top 10 Must-Listen Tracks of the Month

Honk Magazine is proud to present an innovative and diverse collection of tracks that are generating buzz within the music industry. From the serene acoustic vibes of Zion Head’s “Chalice Baptized” to the rebellious spirit of SHIV’s “Mad Hatter,” this list showcases the latest in cutting-edge musical talent.

 

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Zion Head‘s “Chalice Baptized” is a noteworthy instrumental track from his album “Mount Zion,” which celebrates the calming effects of marijuana. His unique perspective showcases how this plant can inspire positive emotions and creativity.

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Philly and Suzy‘s “Quitting Day” is a refreshing and upbeat anthem that encourages listeners to persevere through tough times. This fun-filled track is sure to get you dancing and singing along in no time.

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Jeff Vidov‘s “Baby, can you dig your man” is a danceworthy rock/pop fusion inspired by Stephen King’s “The Stand.” This track is a preview of Vidov’s upcoming double album, which promises high-energy entertainment.

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Razor Braids‘ “It Goes Quiet” is a captivating tune that explores moments of silence and reflection. This mesmerizing track is sure to leave listeners feeling introspective and thoughtful.

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Donnzy‘s “Corner” is an Afro-beats and Amapiano-infused track that promises to keep you on your toes with its infectious rhythm. This groove-worthy track is sure to get you moving and feeling energized.

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Melyssa Lee‘s “Nobody’s Home” is a nostalgic nod to nineties retro pop, hailing from Calgary. The accompanying music video promises to be a visual feast, adding depth and layers to this heartfelt track.

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Chris Lewington‘s “Remember Me” is a psychedelic folk pop gem that channels the spirit of classic rock legends like The Byrds and R.E.M. With its punchy guitar riffs and catchy melody, this track is a must-listen for fans of psychedelic rock.

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King Bradley‘s “Ionizer” is a sonic journey featuring intricate riffs and a fast-moving tempo that keeps listeners on their toes. This track is from his debut solo album “Eco Death.”

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Extra Time‘s “Where Is The Light” is a cinematic experience that weaves captivating stories within its 3-minute runtime. This lush and melodic track is sure to transport listeners to another world.

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Closing out our list is SHIV‘s “Mad Hatter,” which channels the raw energy of The White Stripes while delivering lyrics that resonate deeply. This song is part of the band JEEW’s ambitious recording plans and is a testament to their commitment to authenticity and connection.

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From introspective acoustic tunes to high-energy rock anthems, this list offers a little something for everyone. These tracks will impress even the most discerning music aficionado, so add them to your playlist today and discover your new favorite song!

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