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Artist Spotlight

Introducing J Menace: A Fast-Rising Musical Artist

J Menace is an upcoming Hip-Hop artist and songwriter that is gaining popularity very quickly, and on his way to becoming a superstar. Born and raised in Chicago, he has quickly accumulated thousands of followers on social media and is showing no signs of slowing down anytime soon.

Hello J Menace, Thanks for coming to Honk Magazine to talk about your career.

What 3 things does anyone starting in your industry need to know?

1: Have a plan. What do you want to do, and how do you want to do it?

2: Have people around you that you trust. 

3: Be the hardest worker in the room.

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What would you do differently if you were starting in your industry now?

I would spend my money much differently. You will lose money trying to figure out what and who works. That takes money, time and effort. There is no way around it. Imagine if you could skip that step….

Which people or books have had the most influence on your growth and why?

Book wise “Think and Grow Rich” by Napoleon Hill. I’ve read that book 3 times and every time I learn something new. A great guide to having the proper mindset for growth. 

Too many people to name that had a ton of influence. However,  2 at the top would be 2Pac and my brother Leekwan. 2Pac because of how similar their lives were and how I could relate to his music. My brother because of the constant competition between us. It made me super competitive in all areas and nearly obsessed with growth. 

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What would you say is the #1 key to success in your music career?

The #1 would have to be consistent. There was a time when people said I didn’t have the look to rap…. I kept going. There was a time when people said I didn’t have the voice to rap… I kept going. Then it was I didn’t write good enough, pick the right production, or didn’t have the right type of funding. I never stopped, I pushed harder every time people denied me. Until I became undeniable.

Talk about the biggest failure you’ve had. What did you learn from it?

The biggest failure had to be not keeping a successful group I started together. The true turning point of my career was 2015. 

I had just opted out of a deal with Universal and I was tired of the industry. I saw what they did to make others successful and decided I would try to mimic the format. I came up with an idea to put together a group of talented rappers with established fan bases (Thad Lu, Goonie Da Godd, Mz. Legit, King Kwan). 

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The purpose was simple….there’s strength in numbers. The name of the group ended up being R.U.M.O.R.S (Relying Upon Music Over Regular S**t). My strategy was to do 3 to 4 shows a week until the right people noticed us. It definitely worked! We went from paying to do shows and perform in competitions, to being paid to do shows or just make an appearance. We got all the way to having a deal on the table and unfortunately, due to internal conflict, we parted ways as a group. However, we remain close to this very day. Sidenote: We lost a member last year. Love live Floyd Steele aka Goonie Da Godd. People still talk about us. Especially in Chicago. I’m not where I am today without this group. If I could go back, I would have figured out a way to make it work.

What has been your biggest success story and why do you think it was a success?

My biggest success is my recently released album “A Night To Purge “. This is my best work to date and it has been received as such. From having more streams than all my previous albums combined in 1 month….to having the most viewed video (Chains) in my career. I think it’s a success because the timing is right. Sometimes it’s not just talent but timing. If you stay ready, when it’s your time, you’ll cease the opportunity. That is all I’m doing. 

What keeps you going when things get tough in the music industry?

The thing that keeps me going is my promise. As I’ve already stated, I lost a close friend in Floyd Steele A.K.A Goonie Da Godd last year. However, I also lost my older brother Tyrone Fisher last year. Both due to gun violence. Both of them believed in me. I made a promise to them that I would not let up until I majored in this industry. I will keep that promise. 

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What made you pursue being an artist full-time?

I wrote my first song in 8th grade. After everyone in my school started singing it, I was hooked. I was signed to my first label at the age og 16. I knew from that point on that this is what I wanted to do. 

Would you sign to a label?

I would if the deal is structured properly for sure. I’ve been in the industry a while. I know the pitfalls and the traps. It has to make sense on both ends or no deal.

What projects are you working on for the rest of 2022?

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Mainly pushing “A Night To Purge ” and multiple concerts. One of them being traveling state to state. Who knows….. I may start writing another album towards the end of the year. 

How can our readers follow you online?

FB: The Real J Menace & J Menace

Ig: therealjmenace 

SC: jmenace23

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Twitter: The Real J Menace

Youtube: J Menace

Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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