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2 Shadows Show They Are Ready For Prime Time With New Song “Mad God”
Somehow I missed hearing 2 Shadows until now. I intend to redress that oversight with this review. The pair of lead singer Glen Bridden and guitarist Tyrst Germaine first banded together as 2 Shadows in 2015 yet still deliver new music with every bit of the passion you’d expect from a hungry debuting act with a chip on their shoulder and something to prove. They are in full effect during their new single “Mad God” and, frankly, I haven’t heard metal this immediate and bracing in many years. This band is definitely ready for prime time and I don’t think there’s any stopping them.
Tryst Germaine’s mammoth guitar sound will be a big reason why. It is one of the chief characteristics of their music that I believe separates 2 Shadows from many of their brethren. It immediately dominated the song once it entered the picture in full force, but I must say that it never diminishes the vocal. This is because both Tryst’s guitar, as well as other elements of the song, are so well produced that there isn’t a single component that stands out at the expense of another.
Glen Bridden may be the only singer alive who could keep up with him and this demanding track. Segueing from the bleak and ruminative opening featuring his voice and piano into the six-string bloodletting that follows isn’t something every vocalist can do. He does and, in my opinion, makes it sound easy. He hits many particularly thrilling high points during the song’s more aggressive sections that will leave all but the hardest of hearts thrilled by his musical presence.
Presence is something that this song and band have in abundance. I mentioned that Germaine’s guitar has an all-consuming sound, but it’s really the band as a whole that cannot be denied. The opening section with its piano and singing creates a world all its own without ever seeming like some sort of put on. There’s no doubt in my mind that 2 Shadows would still make music together even if they never recorded another note. These guys are “lifers” and you hear it in their voice and playing alike.
It ends conclusively bookended by the same quiet atmospherics that begins the song. It’s another indication of how the band began the recording process for this track with a clear imaginative vision and followed it through to its logical conclusion. Their focus pays off with one of the most thunderous metal/hard rock tracks in recent memory high and leaves a mark on listeners.
There’s so much music out there and so little time. 2 Shadows simply hadn’t landed on my radar yet. Well, they’re here now, and here they’ll stay. As an older metal fan, I am thrilled to hear a band that likes living on a creative knife edge, but I’m even happier to hear a band that compromises nothing and says take us as we are because we aren’t going anywhere. The single “Mad God” proves 2 Shadows will be with us for some time to come and we, as music fans, are better off for it.
Brent Musgrave
**
Artist Spotlight
Cheryl Craigie reimagines “What’s Going On” through a classic soul lens
Some songs belong to an era, and others keep talking to every generation. Cheryl Craigie’s cover of “What’s Going On“ is a prime example of the latter, imbuing a classic soul sensibility into a song whose themes of compassion, understanding, unity, and concern for others are as relevant today as ever.
Cheryl Craigie is an independent singer, songwriter, and musician, and she has a strong artistic purpose with this release. She does Marvin Gaye’s beloved original justice while letting the timeless message sing in her own voice. Craigie’s approach is to speak to the need for kindness and human connection.
“What’s Going On“ is rooted in a timeless identity that is soulful and classic in style, and emotionally it’s about reflection and empathy. This approach relies on the vocal performance, which injects a unique element that helps magnify the song’s bigger message. The production does not detract from the themes that make the song so long-lasting, but rather supports the release by reinforcing its classic character.
What’s particularly interesting about Cheryl Craigie’s release is the balance she strikes between respecting the source material and asserting her own artistic presence. She knows the power of a song already part of music history and uses her interpretation to reconnect listeners with its core ideas. For Craigie, “What’s Going On” is a manifestation of an artist in love with music, with emotional and social weight, and of using her voice to carry the ageless soul message forward.
Artist Spotlight
With “Who Am I Now” Intaluks explores identity, healing, and renewal
“Who Am I Now” is the Intaluks’ method of shifting the atmospheric emotion, an introspective melodic trance on loss, identity, healing, and the hard work of rebuilding when life takes an unexpected turn. The musical direction is a slow emotional journey, starting in darkness and gradually opening to hope and renewal.
This production frames that journey with expressive male vocals, emotional piano, and trance textures. “Who Am I Now” leaves its mark in the feel department through progression and atmosphere, not with a dramatic festival-type drop. The arrangement gives the song a reflective feel but still maintains the forward momentum of melodic trance.
The male delivery lends a human presence to the themes of uncertainty and self-reconstruction in the song’s vocals. The track tells of an inner journey, accompanied by the piano, the cinematic production, and the experience of confronting a changed reality, asking yourself who you are now, and slowly finding the strength to move forward.
Rather than relying on spectacle, Intaluks focuses on emotional development, letting the song’s mood build organically rather than through a traditional climax. The result is a trance piece so cinematic it feels as much about reflection as it does about forward motion, connecting electronic atmosphere with a highly personal theme. In “Who Am I Now,” Intaluks offers a release defined by transition rather than closure. The sound is its greatest triumph, reflecting that journey and making darkness the beginning of a brighter artistic path.
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