Album Review
Veteran Singer Songwriter James Mastro Releases Album for the Ages, “Dawn of a New Error”
James Mastro is a veteran songwriter and guitarist with an impressive career spanning several decades. He made a name for himself as a teenager in the iconic CBGB scene as part of The Richard Lloyd Group. As a member of The Bongos, Mastro achieved mainstream success with the release of three acclaimed albums. He went on to front Americana band The Health & Happiness Show, releasing three highly praised albums. Mastro has opened for a diverse range of artists including Wilco, Johnny Cash, and Barenaked Ladies. He has also collaborated with renowned musicians such as Patti Smith and John Cale. Additionally, Mastro has been a longtime member of Ian Hunter’s band, playing guitar on Hunter’s last seven albums. With an impressive list of credits, including production work for artists like Steve Wynn and Jill Sobule, Mastro is a highly sought-after musician in the industry. His latest project, the upcoming album Dawn of a New Error, is set to be released on February 21, 2024 on MPress Records.
Produced by Tony Shanahan, bassist and co-producer for Patti Smith, Dawn of a New Error is a masterful showcase of Mastro’s musicianship. From the soaring guitar riffs to the clever lyrics, each of the 11 tracks on the album is a testament to his artistic vision and musical prowess.
The album kicks off with the energetic and infectious “Right Words, Wrong Song,” featuring guest vocals from the legendary Ian Hunter. With its driving guitar riffs and catchy chorus, it’s a perfect introduction to Mastro’s musical world. The hopeful “The Face of the Sun” and the fast-paced “Three Words” continue the trend of earworm-worthy hooks and powerful vocals.
But it’s not all about the rock and roll on this album. Mastro shows his range with the introspective “My god,” a song about belief in oneself and others. It’s a beautiful track that sets the tone for the rest of the album with its poignant lyrics and engaging melody.
“River Runs Forever” takes listeners on a journey through lost loves and the end of days. The mandolin-driven “Everywhere” conjures up images of old photographs, while the gospel-tinged “Someday Someone Will Turn Your Head Around” is a message of perseverance and hope.
One of the highlights of the album is “Here Beside Me,” a hauntingly beautiful track that showcases Mastro’s vocals and songwriting skills. The dreamy “Never Die” features the high backing vocals of legendary drummer Steve Goulding and a more than memorable groove that lets Mastro’s guitar skills shine.
The album features many high notes, including “Trouble,” a lively track that features guest vocals from The Jersey City New Heights Gospel Group, adding a touch of soul and gospel to the mix. Overall, Dawn of a New Error is a rich and diverse album that showcases Mastro’s talents as a musician, songwriter, and producer.
What sets Mastro apart from other musicians is his ability to seamlessly blend genres, from Americana to Art Rock to Gospel. His diverse influences are evident throughout the album, creating a unique and engaging sound that will appeal to a wide range of music lovers.
The production of the album is top-notch, with a team of talented musicians and engineers bringing Mastro’s songs to life. Tony Shanahan’s contributions as producer, bassist, and backing vocalist add an extra layer of depth to the album, while the guest appearances from Ian Hunter and The Jersey City New Heights Gospel Group add even more dimension to the tracks.
In a world where many artists are chasing trends and trying to fit into a specific genre, James Mastro stands out as a true original. Dawn of a New Error is a testament to his talent and his ability to create music that is both timeless and timely. With this album, Mastro steps out of the shadows and into the spotlight, proving that he is a force to be reckoned with in the music world. Fans of Elvis Costello, Tom Petty, and Wilco will not want to miss this album. Dawn of a New Error is a must-listen for any music lover.
–Felix Crosse
Album Pre-save/order link: https://mpress.lnk.to/DawnOfANewError
Album Review
Mt. Kili Mt. Kili delivers quiet power and honest reflection on “The Noticer” (album)
Mt. Kili’s latest album, “The Noticer,” is a warm, contemplative acoustic folk album that finds beauty in the minutiae of life itself, as calm and bare as anyone would call it. Songwriter Rick Sichta of Asheville leads the project with delicate instrumentation and outspoken lyrics, bringing forth an experience that can be both personal and universal.
Recorded at Echo Mountain Studio in Asheville, the music is refined and mastered by Grammy Award-winning Julian Dreyer and David Glasser. The current lineup still embodies this vision, with Matt Shepard holding down a heavy rhythmic backbone and Laney Barnett’s violin and vocals rounding out the sound, creating emotion.
There is a story and emotion hidden within each track. The EP opens with “Don’t Start a War,” which opens contemplatively, begging for peace rather than war. The title track, “The Noticer,” exudes a sense of awareness and the beauty of watching life unfold. “The Rain Song” features a soothing, near-meditative vibe.
With a hopeful reflection, “The Road Isn’t as Long as It Seems” is about perspective and perseverance. “Her Song” is pretty much a musical love letter, and “Kyle” is defined by its character-driven narrative. With “The Weather Report,” the change of feeling is reflected, while “Scars “ and “Strawberry Fields” hint at memories and softening imagery. “All in Good Time” concludes the record patiently, a soothing sigh of comfort. “The Noticer” is a reflective album with a soft reminder that sometimes the smallest moments mean the most.
Connect with Mt. Kili on | Spotify
Album Review
Tita Nzebi bridges heritage and humanity with new album, “Réminiscence”
Tita Nzebi is back with “Réminiscence,” her latest album, consisting of 10 tracks recorded in renowned studios across Paris and mixed with great care at Real World Studios. The Gabonese album has been part of a diverse international catalog and is rather well-produced. With arrangements and production by multi-instrumentalist Leny Bidens, the album reflects a long-term collaboration.
“Réminiscence” is about the beautiful messiness of being human, blending spirituality and social consciousness. The album opener, “REMINISCENCE,” is a contemplative meditation on memory and transmission that establishes the album’s emotional arc. “KEK’DA,” adorned with textured rocks, embodies concepts of spiritual growth in an earthy yet airy way. With “MBAMA Scène,” connection and cultural continuity are rendered in a magnificent current, wrapping that listening journey up with a powerful assertion.
“A’TA” offers a more complex perspective on wisdom, and “31 AOÛT” explores the concepts of time and memory with greater depth. “ARROGANCE” is an inward gaze at ego, and it pulls elements of bold music together to stoke social tension. Every song here has its own tale to tell, but they all effectively tie back together under the broad-stroke identity themes of freedom, memory, and dignity.
“Réminiscence” is an artistic manifesto, and much of what Tita Nzebi does honors its past while still feeling very much rooted in global sounds. The record serves as a reminder to listeners of the connections that gave rise to identity and collective memory.
Connect with Tita Nzebi on Spotify | Instagram | X | Facebook
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