Music
Arina Brovanova shares enchanting debut album “Neverwhere”
Arina Brovanova, a London College of Music alumna with a MMus in Composition for Film and TV, has recently debuted her album, “Neverwhere,” which seamlessly blends electronic and acoustic elements. Drawing inspiration from the fantastical narratives of Neil Gaiman’s works, Brovanova’s music skillfully combines the rich romanticism of 19th and 20th-century Russian music with the emotive power of contemporary cinematic scores.
Influenced by renowned maestros like Thomas Newman, Tomas Dvorak (Floex), and Abel Korzeniowski, her unique style creates an auditory experience that captivates the imagination and stirs the soul. The album opens with its title track, featuring a haunting flute melody and a seamless integration of instruments and electronic layers that set the tone for the entire collection. Another notable piece, “Stardust,” captures celestial beauty through a radiant cimbalom melody intertwined with shimmering metallophone notes.
Brovanova’s personal touch is evident throughout the album, as she recorded many of the instrumental parts herself, infusing each track with heartfelt authenticity. Tracks like “New Chapter” and “Mirrors” further exemplify her talent for creating evocative, narrative-driven music that invites listeners to explore magical soundscapes.
This six-track, just-over-16-minute collection is a brief yet profoundly impactful journey into Brovanova’s creative vision.
Artist Spotlight
personalheartbreaker and ENCASSATOR unpack manipulation, obsession and remorse on “Sorry Eyed”
“Sorry Eyed” is a dark shoegaze and alternative rock ballad by personalheartbreaker and ENCASSATOR that explores the space between obsession, emotional dependence, manipulation, and remorse. The new single slowly reveals how reliance is a form of oppression, not just weakness. The result is a psychologically complex song that pulls you into a relationship where trust and exploitation are not mutually exclusive.
The track takes an unsettling emotional turn through its manipulator’s perspective in “Sorry Eyed.” At first, the narrator seems dependent on another person, as if they need comfort, connection, or support. But as the story progresses, that openness starts to resemble exploitation. The song’s heart is the power imbalance, where regret always clashes with self-interest.
This struggle gives the song its emotional weight, because the narrator knows the damage he’s causing but is still addicted to the perks of manipulation. The accompanying music video arrives September 30th and carries that story further with the angel’s trust, devotion, and sacrifice. What begins with faith in a fellow man ends in destruction and offers visual counterpoint to the song’s themes.
“Sorry Eyed” is a collaboration with ENCASSATOR, who produced, recorded, mixed, and mastered the song and played a major role in its development. That full creative engagement helps shape the single into one cohesive piece, where the track’s dark alternative rock, shoegaze identity doesn’t detract from the story but supports it. “Sorry Eyed” is a strong pick for fans who love exploring manipulation and complicated relationships.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
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