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BAINS. shares new single “Feel Awful”

Feel Awful

Vancouver, Canada artist BAINS. has shared a new single called “Feel Awful”. The second single from his upcoming album Punch Drunk, this self-produced offering contains emotive sonics and relatable lyricism- making for an evocative and memorable listen.

BAINS. comes through with captivating lyrics that find the artist at a low point, ruminating over past mistakes and time lost. Also themed around his love/ hate relationship with alcohol, the honesty of this single’s subject matter shines through and impacts the listener directly.

Production-wise, “Feel Awful” is engagingly dynamic, with bouncy percussion and grooving bass dropping in mid-way through the first verse and crescendoing in the chorus to create a gripping effect. Drawing the listener into the song’s atmosphere as it builds, the production here is sharply-crafted and vivid.

The latest from BAINS., “Feel Awful” combines hip-hop, alternative R&B, and alt-pop influences into a vibrant and refreshingly personal medley.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

With “A New Frame of Mind” EP, We Told You So finds strength in loss, friendship, and change

We Told You So

Growth comes with loss, hard realizations, changing relationships, and the uncomfortable process of learning how to keep going when life refuses to slow down. That tension is central to “A New Frame of Mind” by We Told You So, an EP that draws from personal experience and turns it into a larger story of resilience, friendship, grief, independence, and the courage to start over.

Opening the EP is the track “Anchor in the Storm,” a particularly important, very personal tribute, written during a period of loss. This song is about how important the people in our lives are for keeping us anchored when our world feels shaky. Followed by “Echoes of Resilience,” which takes that sense of connection and extends it from the struggles of one individual to the struggles of others. The perspective is the frustration of seeing pain from afar but choosing to cling to hope.

Meanwhile, “Last for Long” ups the energy, celebrating friendships that endure tough seasons and stay when circumstances change. “Running Out of Time” is a reminder of the band’s DIY, small-town indie roots and the realization that you have to chase your dreams before the chance is gone. Next up is “Season of Change,” which is more introspective, exploring family, aging, and the inevitability of change as we grow older.

The EP’s French-language track, “Pas Besoin de Toé,” further links the record to We Told You So’s roots in Trois-Rivières, Québec, and also speaks to independence and the decision to cut toxic influences out of your life. From there, “Time to Rise” embodies the project’s essence, from individual struggle to collective action and self-belief.

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Closing the EP is “My Last Verse,” which works through its pain to clarity. At the end, We Told You So is making a record about choosing what happens next. It’s gritty when it needs to be, introspective when it wants to be, and optimistic without being naive. The EP is based on the idea that moving on is an act of strength in itself.

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Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

Cognitive Constellation Corps

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

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“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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