Album Review
Belle Lundon Gets Emotional and Existential on “Space Cadet”
Belle Lundon is a multifaceted artist excelling in music, acting, and songwriting. Raised in New Orleans and now based in Houston, her artistic journey blossomed at the California Institute of the Arts. In 2016, Belle won a Coca-Cola music competition, leading to a performance at the Apollo Theater in New York where she captivated audiences with “He Wants It All” by Forever Jones. Beyond covers, Belle’s original song “My Soul to Keep” earned her the W.A.M. Award for Best Gospel Song in 2020. Belle’s passion lies in sharing her music globally, with dreams of embarking on international tours, always striving for authenticity, success, and happiness in her artistry.
Her latest single, “Space Cadet” captures the internal struggle of feeling overwhelmed and seeking redemption and support. It conveys a narrative of personal turmoil, mistakes, and the human desire for a sense of upliftment and understanding. The recurring motif of drowning and being lifted up symbolizes the search for hope and assistance in times of despair.
The lyrics delve into themes of vulnerability, redemption, and the human condition. The repeated lines “Feels like I’m drowning, grab my hands and lift me up” suggest a plea for help and connection, emphasizing the universal need for support and understanding. The contrast between “giving up” and “not giving up” reflects the internal conflict between resignation and resilience. The mention of “Subliminal like haiku” indicates a nuanced and profound communication of feelings, akin to the brevity and depth of haiku poetry. The invocation of “Chrios” could symbolize a call to a higher power or inner strength, adding a spiritual dimension to the song’s exploration of seeking guidance and clarity.
For further thematic exploration, artists like Sufjan Stevens, with his introspective and often spiritual lyrics, and Florence + The Machine, known for their poetic and metaphysical themes, would resonate with the mood and style of “Space Cadet.”
“Space Cadet” seems to be a richly textured song that weaves together themes of struggle and resilience with a musical backdrop that spans pop, R&B, and electronic genres, infused with elements of dream pop and synth-pop. The song’s narrative centers on the journey through hardship, underlined by an emotional plea for support and the hope for a brighter, more euphoric future. Its lyrics reflect a deep sense of being overwhelmed yet underscore a strong will to persevere and overcome, making it a poignant anthem for those facing their own battles.
The combination of hopeful, resilient, and determined moods with the thematic focus on struggle, resilience, and support creates a compelling contrast against the relaxed, dreamy, and ethereal tones provided by the music’s instrumentation. The use of synth, drums, guitar, and piano, alongside the subgenres like chillwave and lo-fi, suggests a sound that is both introspective and uplifting, capable of transporting the listener to a state of contemplation and solace.
This duality between the song’s thematic depth and its sonic atmosphere might be what Belle Lundon aims to convey: a message that even in the depths of adversity, there is a space for dreaming, hope, and finding support, whether through personal connections or the universal experience of music. “Space Cadet” appears to be an invitation to acknowledge our vulnerabilities and struggles but also to remember the strength and resilience within us that helps to navigate through tough times.
–James Watkins
Album Review
Saint Escape sets the past on fire with latest release “Look At What You Made”
Saint Escape isn’t here to reconcile the past, they’re here to torch it. Now, with the release of their new single “Look At What You Made,” Saint Escape have unleashed a punishing, nu-metal-infused anthem that just sounds like an equal measure of reckoning and release. It is loud, confrontational, and honest, exactly what a purging rock record should be.
Produced and mixed by Joe Rickard, Starset, Three Days Grace, Breaking Benjamin, the track delivers a tight punch that fuses wild aggression and arena-sized power. “Look At What You Made” doesn’t stop. Rickard’s slick production redoubles Saint Escape’s raw edge rather than sanding it down, and the song takes on a huge, modern rock sound without losing its bite.
“Look At What You Made” is a primal response to toxic authority figures, the kind who kept order through fear, misinformation, and control, and knew where best to leave emotional scars. On “Look At What You Made,” the anger boiling beneath the surface becomes something purposeful, an anthem for anyone who’s been moulded by manipulation and left in its wake. The effect is communal shake-off, a determination not to be shaped by the past.
And lead vocalist Matt Cox provides a threatening, buffed clean vocal performance, of sorts as well, one that’s heavy with anger and determination. There is rage here, but also clarity, a sense that this is less about revenge than about reclaiming autonomy. As Cox puts it, the song is a purge, a reminder that the future belongs to those willing to to take it back. “Look At What You Made” is a testament to strength and newfound independence, it’s further evidence that Saint Escape are bleeding their past into something louder, stranger, and harder to ignore.
Album Review
Big O redefines artistic evolution with “When it’s Not Said, But Done” album
Big O’s “When it’s Not Said, But Done” is a whisper of transformation narrated through rhythm, texture, and space. Across its fifteen tracks, spanning just under forty-seven minutes, Big O sacrifices flash for feeling and ego for essence.
The production feels like an artist who has finally quit chasing something external and is instead listening inward. The flow of the album is methodical but organic, with each track leading into the other as if they were diary entries. On “Free Spirit,” Big O creates a soundscape that embodies freedom in action, with rhythms that propel you forward. It’s one of those rare songs that can be at once contemplative and propulsive, with a slow revelation. And also, “New Found Joy” is an anthem for rebirth.
Big O’s production vision here is sweeping and cinematic, but also intimate. The presence of live musicians gives an organic texture. Jeronimo G’s xylophone on track nine tolls like an intimate conversation, while IB Delight’s saxophone on track ten blows satisfying warmth and longing into the mix. These collaborative moments are the crucial parts of Big O’s unfolding language.
Every choice, from the minimal artwork by Andriyan Robby to the in-house mixing and mastering by Big O himself, is consistent with the album’s spirit of transformational thought. In “When it’s Not Said, But Done,” Big O has created a statement on silent courage. It is an album for those who know that, in reality, real change does not need to be shouted from the mountaintops, but only heard, felt, and lived.
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