Artist Spotlight
Best Songs Of All Time Vol.11 – Top 30 Tracks
Welcome to Honk Magazine.
In today’s article, we are going to list out your favorite songs and share the best songs of all time vol.11 that you need to keep an eye on in 2021. At Honk Magazine, we try our best to make things easy for everyone who is finding it difficult to keep up with the latest release, top songs on the chart, and up-and-coming musicians to look out for. There is so much going in the music industry and it’s hard to catch up with all the releases. So, that is why we listed the Best Songs Of All Time Vol.11 that you simply can’t miss!
We featured talented artists in the Top 30 tracks such as Talia Lava, Diwon, Dona Maira, Jasmine Tea, Grasshead, Christian Jamil, Maya Yenn, and many others.
Here are the Best Songs Of All Time Vol.11 – Top 30 Tracks
Talia Lava & Diwon – Come Together
Dona Maria – No More Tragedy
REFUGIO – WHITE PAINT
This track WHITE PAINT is a song focused on themes such as gentrification, colonization of art – such as references “they took my canvas and dumped a bunch of white paint” – signifying that Black and Brown’s art is often appropriated by others who do not pay the proper respects to the art and see it only for profit.
Jasmine Tea – I Was Your Rhythm and You Were My Blues
Grasshead – Suicide Door
Christian Jamil – Captive
Released by: Designated Records LLC
Maya Yenn – How Much Sadness Can You Swallow?
Written in response to a particularly disturbing nightmare I had of “a vision of hell”, my sophomore single, ‘How Much Sadness Can You Swallow?’ is a shimmering electro-pop exploration of loss, self-blame, and what we do or don’t do with those feelings.
Dear Embr – Read 9:21
Dear Embr notes that “Read 9:21 is about a girl that he used to talk to and she was very toxic. All of his lyrics are delivered masterfully with his well-polished and focused flow, which you can tell he has mastered to perfection over this great production, that’s capped off with a big chorus…
Riddy Black – Unholy Freestyle
All in your head. – How does it feel to be real?
ZacTomRob – Bounce
TheRedSafari – Rockstar Like Hayley
TheRedSafari Returns with a new flow and style in the newest song “Rockstar Like Hayley”, Released by: Studio Drive Entertainment.
Everybody Loves An Outlaw – Rebels & Outlaws
Boss Mac – How It Feel
Released by: iFollow Music Group
The Oscean – Withered
Withered is a dope song the up-and-coming artist The Oscean released in March. This song is about losing someone he was close to at that period of time.
The Anaconda Vampire Bats – Love Me
Calvin Savio – No Tomorrow
Released by: $ound$$tudio$ LLC
No Tomorrow is a song from Calvin Savio’s debut EP “Race Me To Hell”. Calvin’s music definitely consists of a punk rock influence but is more along the lines of Hip Hop for the time being. No Tomorrow is a song about not really caring about any of your problems for one night, and partying like there’s no tomorrow. Which completely embodies Calvin’s brand as an artist.
Scratching Tongues – Liquid Panic
Zyxnn – Addicted
Zyxnn releases a new single titled “Addicted”, a year ago. “Addicted” Is A Song By Zyxnn Made During The Height Of Zyxnn’s Drug Addiction, Depression, And Legal Troubles. The Filming Process Of The “Addicted” Music Video Granted Zyxnn Some Therapy And He Eventually Got His Case Dropped To A Lower Charge And Overcame His Drug Addiction!!!
lifestory – Games
Shashin – Lemmi Lemmi
SLIM GODAVELI – Ride Shotgun
Myer Clarity – Trouble
Ohio Jackson – When.sweat.became.blood.
Corduroy Horse – Wolf Run
TRAPT – Above It All
Nathan Campbell – Worst Day
SUPER FREDDY – In Too Deep (with KOSI)
SR TheMveMnt – Moon Shine
The newest release by SR TheMveMnt. Recorded after his show with the Artist SK8. Released by: RichKnotFamous, LLC & Magpie Myth Music, LLC.
Chaos1.0 – Roman Candles
American-based artist Chaos1.0 shares a new single “Roman Candles” from his newest project “Dawn: Kayo’s EP”.
What do you this about this post?
Drop a comment below which is your favorite song on the playlist.
Artist Spotlight
BluntBrad Jr. finds calm ambition in the laid-back shine of “It’s All Good”
BluntBrad Jr.’s new single, “It’s All Good,” sounds like a steady handshake and a deep breath. It’s warm, honest, and not trying to be cool. There isn’t any fancy production hiding behind layers of polish here. Instead, the song is all about being honest. The song is laid-back and offers up the shine of a studio recording for the feeling of a candid introduction, a musical “hello” from someone who wants to be heard for who they are.
“It’s All Good” is a very human way to be hopeful at its core. The feeling is simple and real, like someone who won’t let little things stand in the way of their goals. The words to the song sound like friends talking to each other. They discuss their goals, their drive, and their need for attention in a way that is honest and not needy.
The production backs this up by making sure that everything is open and airy. The instruments are simple and easy to understand, so BluntBrad Jr.’s voice and message come through clearly. The song feels real because it doesn’t have a lot of extra stuff in it. You’re not hearing a heavily constructed persona; you’re hearing someone at the start of a journey, eager to make their mark.
The song’s rough edges make it captivating, which is better than polish, which would have smoothed it out. This way of thinking fits with the theme: hope isn’t naive here; it’s realistic and steady. It speaks to people who like simple songs and value honesty over artifice.
“It’s All Good” is an engaging and approachable phrase that offers context for an artist who is confident and clear about their artistic vision. This is the kind of song you listen to when you need some honest encouragement to remember that just being human can help you move forward. This is only the first chapter of something serious, so expect more from him.
Artist Spotlight
SweetCandy! declares self-love and defiance on “UGLY”
SweetCandy!’s single “UGLY” is a candid and succinct revolution: concise, straightforward, and subtly transformative in its acceptance. The song conveys a fundamental truth: the acceptance of all aspects of oneself, including those previously deemed shameful, and asserts this claim with confidence. For an independent artist subjected to considerable criticism, the track functions as both a resolute retort and a comforting embrace of self-affirmation.
There exists a unique bravery in composing a song that explicitly declares, “This is me,” and SweetCandy! achieves this effectively. “UGLY” constitutes neither an apology nor a request; it is a declaration. The lyrics and performance express a sense of familiarity, illustrating the perspective of an individual who has transcended the necessity for external validation and now experiences liberation in authenticity. This emotional clarity endows the song with its potency: the relief in the delivery is palpable, a steadiness more compelling than any intricate production could attain.
The track musically reinforces this message with an aesthetic that is congruent: arrangements that do not eclipse the sentiment, production that appears authentic rather than superficial, and phrasing that enables the chorus to resonate as a personal vow. The song’s timeless perspective is noteworthy: it implies that autonomy in later life can be accompanied by acute awareness and gentle acceptance.
“UGLY” is successful due to its refusal to sanitize experience. It recognizes judgment, the pain of criticism, and the arduous path to self-acceptance, ultimately arriving at a state of tranquility. For listeners burdened by expectations or fatigued from performance, SweetCandy!’s single provides a straightforward, poignant remedy: embracing one’s true self is frequently the most courageous and exquisite decision. Embrace it, join in the singing, and allow the term “ugly” to evolve into a symbol of resilience and elegance today.
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