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Best Songs Of All Time Vol.5 – Top 30 Tracks

In today’s article, we are going to share with you all the Best Songs Of All Time. We all know that Keeping up with tracks of all the songs on Spotify, YouTube, SoundCloud, and many others is quite hard. Let’s admit it! There is a lot to do in the music industry and it is difficult to catch up on all the releases. So that’s why we listed the Best Songs of All Time Vol. 5 that you just can’t miss! We choose the most outstanding collection that you have to add to your Spotify playlist and others. Featuring up-and-coming artists in the music industry sure as Eddie Cee-vo, P.G.L.U., Armstrong, and many others.

Eddie Cee-vo and P.G.L.U. – DANGEROUS

 

Armstrong – Bruises

 

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TheWorst – Vices (Live at Chillhouse – featuring Dana Colley of Morphine)

 

JULY – FYDU

 

King Tel and Twan Skii – My Guitar

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Hill$ide – Party in Da MOB

 

Goth Girlfriend – DISS TRACK

Kuz? – Peter Pan?

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Reese Weil – Cuddle Up

 

Puzzls – Steps (1, 2, 3, 4)

 

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Jonny Chexx – Overdue Ft. Karma

 

Young Billie Goat – 33 HUNNID

Leon Bahar and Katie Prothero – Synchronicities

 

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YUNGMORPHEUS, EYEDRESS, and PINK SIIFU – Georgette’s Tea Room

 

Jtrapz – Blue Therapy

 

Mazey Haze – Headspin

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Hella Yella – Burn

 

Apocalypse l8er – it’s odd we think at all

 

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Goodnight Native – PEREGRINE

 

Arwk – Wgwy

 

Zardee and MoneO – Round My Way

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Dylamic – SPLASH

 

NoKissing – BADTHING

 

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Noodłe – Schemin’

Mike McGovern – One in a Million (feat. Tony Newbury)

 

Cay Slatt – Read It

 

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BCS – Chillin With Good Vision

 

Shayan Valaie – FØURDAYS (feat. Yan P)

 

NOOMA – Concrete People

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Ham – Issues

What do you think about this post? We recommend you drop a comment on the comment section below for more updates…

 

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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