Music
Beyonce Joins Peloton For A Multi-Year Partnership Benefiting HBCUs
Driely S. Carter Beyonce’s music will be integrated into workouts and Peloton will build upon its relationships with the participating schools. …

Music is a core part of the Peloton experience, and now the fitness platform has teamed up with one of the medium’s biggest stars, Beyonce, for a new multi-year partnership that will benefit Historically Black Colleges and Universities (HBCUs).
As part of the partnership, Peloton and Beyonce will give two-year Peloton Digital memberships to students at ten HBCUs: Bennett College, Clark Atlanta University, Grambling State University, Hampton University, Howard University, Morehouse College and Morehouse School of Medicine, Spelman College, Texas Southern University, and Wilberforce University. These memberships provide access to a library of fitness classes through the Peloton app, which can be enjoyed with or without equipment. Additionally, Peloton “will build on its relationships with each of these schools to pursue long-term recruiting partnerships at both the internship and undergraduate levels,” as press materials note.
On top of that, Peloton is also hosting Beyonce-themed classes, the Beyonce Artist Series, over the next few days that feature her music, including yoga, meditation, and running.
Beyonce says of the partnership:
“Peloton and I both believe that the power of music can help uplift, motivate and inspire those on their fitness journeys. I’ve been a Peloton member for several years, and I’m excited to partner with a company that helps people, young and old, be the best versions of themselves, in an innovative and adaptable way. I’m proud to celebrate the students at HBCUs with this donation, to encourage them to find and embrace their own wellness regimens.”
Peloton’s Head of Music Gwen Bethel Riley also said of the partnership, “Beyonce’s commitment to empowerment and artistic expression is an inspiration to the entire Peloton community. It is a privilege to be able to work closely with her and her extraordinary team to broaden access to our platform and collaborate on incredible offerings we think our members will love.”
Check out the upcoming Beyonce Artist Series class schedule below.
On Demand
30 min Beyonce Two for One Ride with Alex Toussaint & Tunde Oyeneyin
Wednesday, November 11 at 7:30 p.m. ET
30 min Beyonce Yoga Flow with Chelsea Jackson Roberts
10 min Beyonce Meditation with Chelsea Jackson Roberts
Thursday, November 12 at 7:30 p.m. ET
20 min Beyonce Full Body Strength with Robin Arzón
20 min Beyonce Outdoor Run with Robin Arzón (Audio Only)
Friday, November 13 at 5 p.m.
30 min Beyonce Ride with Ally Love
Saturday, November 14 at 10 a.m. ET
60 min Beyonce Bootcamp with Jess Sims
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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