Music
T.I. Walks Back His ‘Beef’ Comment After Fans Tie It To King Von’s Death
Getty Image The trap rap godfather wrote ‘Handle your beef in YOUR city’ shortly after the Chicago rising star was shot in Atlanta. …

Trap rap pioneer T.I. is walking back earlier comments he made on Instagram Monday after a fan backlash connected his words to the recent shooting of King Von, who died from his injuries on Friday. T.I. tried to explain that he didn’t mean his post to refer to King Von and that he was just speaking generally. “I don’t speak ill of my allies,” he wrote today. “My last post had nothing to do with King Von.”
He continued, “Y’all grossly mistaken. I have no motive or intention to do harm or malice to cats I’m cool wit. My family’s hearts go out to them and I’ve expressed this to the people in his life that matter most in this situation. That’s all I’m concerned with.”
The original tweet was interpreted as a jab toward the Chicagoan King Von, who was shot during an altercation at an Atlanta lounge that escalated from a shoving match to a shootout, involving police Atlanta police officers and leaving three dead, including Von. “Atlanta is a beautiful progressive city filled with black excellence,” his original post read. “We uplift each other & win together. Stop coming here to kill each other. That sh*t is played out.” The caption, which read “Handle YOUR beefs in YOUR city,” prompted Von’s sister to lash out via her own Instagram story and even 50 Cent chimed in.
King Von was fresh off the release of his debut album Welcome To O-Block, released via Lil Durk’s Only The Family Entertainment just one week before his death. Meanwhile, T.I.’s own new album, The L.I.B.R.A., was released in October.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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