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Beyoncé, Pop Smoke, Kanye West and Megan Thee Stallion Among List of 2021 Grammy Nominees
The Recording Academy announced the 2021 nominees on Tuesday and the Rap and R&B categories saw some new faces this year. The announcement came virtually on Grammy.com and was announced by…
The Recording Academy announced the 2021 nominees on Tuesday and the Rap and R&B categories saw some new faces this year. The announcement came virtually on Grammy.com and was announced by CBS This Morning co-host Gayle King.
Jhené Aiko received 3 nominations for her work on the 2020 album Chilombo in the categories Best Progressive R&B album, Best R&B Performance and Album of the Year.
Beyoncé was nominated in 9 different categories including Best R&B Performance, Best Rap Performance, Best Rap Song, Best Music Film, Best Music Video, Best R&B Song, Song of the Year and Record of the Year where she is nominated twice for “Black Parade” and “Savage” with Megan Thee Stallion.
In addition to the Record of the Year, Best Rap Song, and Best Rap Performance Nominations, Megan Thee Stallion who also was a presenter during the announcement livestream was nominated for Best New Artist competing against “Say So” performer Doja Cat.
Doja Cat’s single crossed over into the pop realm and earned the 25-year-old first time nominee a nomination for Best Pop Solo Performance and Record of the Year.
Nipsey Hussle and Pop Smoke have been posthumously nominated for Best Rap Performance. This was Pop Smoke’s only nomination for his single “Dior.” Nipsey was nominated via Big Sean’s single “Deep Reverence” from his Detroit 2 LP. Sean and Nip will compete against Da Baby’s “Bop,” Jack Harlow’s “What’s Poppin” Lil Baby’s “The Bigger Picture and ” Megan Thee Stallion’s “Savage.”
Other nominees include Drake who was nominated for Best Melodic Rap Performance and Best Rap Song with “Laugh Now Cry Later” and Best Music Video for “Life is Good” with Future.
Kanye West also received his first Grammy nomination in the Gospel music category for Best Contemporary Christian Album with Jesus is King.
The ceremony airs January 31, 2021 on CBS and will be hosted by Comedian Trevor Noah.
See the complete list of nominees here. See the R&B and Rap Nominees below:
Record of the Year
Beyonce – Black Parade
Da Baby – Rockstar feat. Roddy Ricch
Doja Cat – Say So
Post Malone – Circles
Megan Thee Stallion x Beyonce – Savage Remix
Album of the Year
Jhene AIko – Chilombo
Post Malone -Hollywood’s Bleeding
Song of the Year
Beyonce – Black Parade
Roddy Ricch – The Box
Post Malone – Circles
H.E.R. – I Can’t Breathe
Best New Artist
Doja Cat
Megan Thee Stallion
D Smoke
Best Rap Album
Jay Electronica – A Written Testimony
Royce Da 5’9 – The Allegory
Nas – King’s Disease
Freddie Gibbs – Alfredo
D Smoke – Black habits
Best Rap Song
Lil Baby – The Bigger Picture
Roddy Ricch – The Box
Drake – Laugh Now Cry Later feat. Lil Durk
Da Baby – Rockstar feat. Roddy Ricch
Megan Thee Stallion – Savage feat. Beyonce
Best Melodic Rap Performance
Travis Scott – Highest in the Room
Anderson Paak – Lockdown
Roddy Ricch – The Box
Drake – Laugh Now Cry Later feat. Lil Durk
Da Baby – Rockstar feat. Roddy Ricch
Best Rap Performance
Pop Smoke – Dior
Big Sean – Deep Reverance feat. Nipsey Hussle
Da Baby- Bop
Jack Harlow – What’s Poppin
Megan Thee Stallion – Savage
Lil Baby – The Bigger Picture
Best R&B Performance
Jhene Aiko – Lightning & Thunder feat. John Legend
Beyonce – Black Parade
Jacob Collier – All I need feat. Ty Dolla Sign & Mahalia
Brittany Howard – Goat Head
Emily King – See Me
Best Traditional R&B Performance
The Baylor Project Featuring Jean Baylor & Marcus Baylor – Sit on Down
Chloe x Halle – Wonder What She Thinks of Me
Mykal Kilgore – Let Me Go
Ledisi – Anything For You
Yebba – Distance
Best R&B Song
Robert Glasper – Better Than I Imagine feat. H.E.R.
Beyonce – Black Parade
Tiana Major9 – Collide feat. Earthgang
Chloe x Halle – Do It
Skip Marley – Slow Down feat. H.E.R.
Best R&B Album
Ant Clemons – Happy 2 Be Here
Giveon – Take Time
Luke James – To Feel Love/D
John Legend – Bigger Love
Gregory Porter – All Rise
Best Progressive R&B Album
Jhene Aiko – Chilombo
Chloe x Halle- Ungodly Hour
Free Nationals – Free Nationals
Robert Glasper -F*** Yo Feelings
Thundercat – It is What it Is
The post Beyoncé, Pop Smoke, Kanye West and Megan Thee Stallion Among List of 2021 Grammy Nominees appeared first on The Source.
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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy
The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.
Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.
The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.
Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?
While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.
As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.
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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims
In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.
Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.
The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.
Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”
This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.
The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.