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Beyoncé’s Mother Defends Her Against #ENDSARS Backlash

Nigeria is currently in the midst of a major crisis as protestors are taking the streets to #ENDSARS, a movement calling for the end of a special unit within the Nigerian Police Force with a long record of abuse and harassment.

Celebrities are starting to speak out about the terrible events taking place in Africa, joining the movement to raise awareness against the Special Anti-Robbery Squad. Rihanna, Trey Songz, and many others have been vocal about what’s going on, supporting the Nigerian youth as they fight against the government.

As things have gotten extremely dangerous, with bullets being fired into a crowd of protestors last night, Beyoncé spoke out as part of #ENDSARS and, surprisingly enough, she was met with backlash for doing so. She claims that she has been working behind the scenes, collaborating with coalitions to provide emergency healthcare, food, and more.

People have been picking apart Bey’s message, letting her know that it’s “not about food” and missing her point that she has been actively working to help where she can.

Getting fed up with the constant scrutiny that her daughter faces for literally anything she does, Tina Knowles-Lawson chimed in to defend her against her critics.

Alberto E. Rodriguez/Getty Images

In a two-part post, Tina says that, because of personal issues in her family, she was only made aware of #ENDSARS last week but that, ever since, she’s been spreading awareness about it. Then, she took aim at Beyoncé’s critics.

“No matter what my daughter does she is scrutinized and torn apart,” wrote Tina. “She Makes a record and uses all African artist, producers, writers. She is criticized because She didn’t get artist from every country in Africa there are 52 countries! Then she makes a film that by the way she doesn’t profit a penny off of, because she spent every penny in the budget on making something that celebrates our heritage! What profiting off of you did she do? She made art!! She is an artist! That is what artist do. She is not your political leader and not your whipping board.”

What do you think of her lengthy posts about the situation in Nigeria?

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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