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Big Sean Says His First Advance From Kanye West Was $15K

When Big Sean initially signed to Kanye West and G.O.O.D. Music, he was not a proven artist. He didn’t have a single that was popping and there really wasn’t much to base his success in the rap game off of. 

Thus, it’s not too surprising to hear that his first label advance after signing wasn’t a lot of money. However, you would be surprised by the actual amount of money that he was given to use toward his first music drops.

Speaking with Fat Joe on his podcast, the Detroit rapper provided Joe with yet another “Joprah Moment”, revealing that his first cash advance from Kanye West was only worth $15,000.

“[Kanye] just signed me because he heard me rap, I had nothing going so, yeah, my first advance was… bro, I don’t even wanna say the number. It wasn’t a lot at all,” says Big Sean during their conversation.

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Like a good interviewer, Joe pressed Sean to give him the exclusive information, which he reluctantly gave up.

“My first advance was $15,000 bro,” revealed Sean.

As pointed out by HHNM, the rapper speaks more about his “slave deal” on Benny The Butcher’s new song “Timeless”. Thankfully, Kanye has promised to give back his 50% share to Big Sean and other G.O.O.D. Music signees. Previously, Kanye owned half of their master recordings but, during his mission to create a more transparent environment between artists and labels, he tweeted that he would be giving back that money.

What do you think Big Sean did with that $15K? Mixed and mastered one single??

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ReeToxA confronts the past with truth on “HMAS CERBERUS”

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“HMAS CERBERUS,” ReeToxA’s new single, is a raw, very personal song about his life experiences. The song sounds like Oz rock from the 1990s, and modern alternative and grunge. It sounds brave and familiar at the same time, like a truth kept secret for a long time.

“HMAS CERBERUS” is based on a true story from Jason McKee’s life, and it shows how his ten years in the Navy changed him and how they still do. The song bravely speaks to the emotional toll of service, including alcoholism and mental stress, sincerely.

The poem is what makes the single stand out. The writing is brilliant and stays smart, and it’s hard without being preachy. The singer got the idea for the song when he saw four seasons in one day at a beer garden in Melbourne. It connects the sudden change in the weather to a life that is constantly changing and hiding how you feel. It’s a potent metaphor for a mind that finally stops long enough to figure out where the damage started.

The song “HMAS CERBERUS” is both intense and at the same time. It makes you think, but it’s also surprisingly easy to dance to, which shows that dark themes don’t have to be sad music. The song is both interesting and challenging to listen to because of the gritty guitars and rock base. In a sea of safe releases, ReeToxA stands out as honest, raw, uncomfortable, and necessary. “HMAS CERBERUS” is a brave meditation that stays with you for a long.time

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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