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Blac Kami and Sunchiyami deliver a smooth knockout with “NEVER LIED”

Blac Kami

Blac Kami’s latest single, “NEVER LIED”, is a confident statement piece, a smooth-talking testament to authenticity wrapped in alternative hip-hop silk. Featuring the effortlessly complementary vibes of Sunchiyami, this leading track from his project “THE VELVET TAPE” manages to be sharp, a balance few artists pull off so naturally. There’s an undeniable clarity to the production, with a clean sound that relies on a tightly woven groove and an easy rhythm that pulls the listener in. The smooth flow carries a conversational intimacy, the kind that makes you feel like the verses are speaking directly to you rather than at you.

This is music for quiet reflection and moments when truth matters more than noise. “NEVER LIED” isn’t about overcomplicating the message. It’s about being real. Blac Kami and Sunchiyami exchange verses like friends swapping stories, their chemistry obvious in every line. There’s a certain calm confidence in how they deliver their words, as if they’ve got nothing to prove yet still manage to impress at every turn. “NEVER LIED” sets the tone for what listeners can expect from the full project. It’s a warm welcome into Blac Kami’s world where honesty and artistry walk hand in hand. While some hip-hop tracks aim to dominate with sheer force, this one glides in with style, making its mark through restraint, groove, and charisma.

The alternative hip-hop label feels right here, but it’s also clear that “NEVER LIED” isn’t boxed in by genre expectations. There’s a timeless feel in its simplicity, a reminder that music doesn’t have to shout to be heard. It’s the kind of track that invites multiple replays. With “NEVER LIED”, Blac Kami proves that telling the truth can be just as addictive as any hook or beat drop. It’s smooth, it’s catchy, and above all, it’s honest. And in a world that often rewards the loudest voices, this single stands tall by simply speaking straight.

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Artist Spotlight

Bluridge enters the global scene with debut release “On Top Of The World”

BluRidge

BluRidge makes its mark in the pop world with its first official release, showing that it is very sure of itself. The title “On Top of the World” is music that’s carefully made to lift your spirits, get you moving, and give you the energy you need to party.

The song blends pop, dance-pop, and trap-infused rhythms, but it doesn’t stick to a single genre. “On Top of the World” has a light, free quality, taking you to a place where music becomes a driving force. This piece is meant for people to listen to, as well as sunlight, stage smoke, and the sounds of open fields.

The hook gives you the freedom to believe in elevation again, to feel triumphant, to let go of joy, and to see beyond what seems unimportant. BluRidge lifts others, and their first official release shows this energy in full. BluRidge is making anthem-like songs that make you want to move and give you a sense of power.

This single marks an essential time for BluRidge, and their first release on a label that not only hints at potential but also joyfully conveys it through rhythm, momentum, and evident joy. It sets the tone for both their destination and the height they want to reach.

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Artist Spotlight

Séhkou expresses a sacred pain through light in “Irreverent Beauty (2 Cor. 12:9)”

Séhkou

“Irreverent Beauty (2 Cor. 12:9)” breathes like a physical being in prayer, shaking, remembering, and slowly coming back to life. Séhkou’s work is a spoken psalm full of sadness, an open wound, and a testament that gets its strength from being weak, not loud.

The work has the seriousness of scripture, the softness of confessional poetry, and the gentle confusion that comes with spiritual healing. This is a softness that comes from years of breaking, fixing, breaking again, and realizing that the Divine is always there in each crack.

Séhkou talks about the paradox of divine support amid life’s scars, and he shows the pain as beautiful, even holy, and the track knows where light always tries to get in. “Irreverent Beauty (2 Cor. 12:9)” is like a map of lasting scars, showing a faith that doesn’t get rid of pain but changes it. Séhkou whispers that he is still becoming, and that is, in a way, more triumphant. In a culture that loves polished stories, this work shows the flaws and treats them as sacred.

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