Music
Black Sabbath Bassist Geezer Butler Shares His Ironic Opinion Of Cardi B’s ‘WAP’
Atlantic Records We all just become our parents eventually. …
There’s an old saying that we become whatever we fight against. In the case of music, it’s especially true; the artists who were once chastised for pushing the boundaries of social norms become the ones berating their successors for doing the same thing. Once upon a time, the English heavy metal band Black Sabbath left conservative observers clutching their pearls due to their dark content and “offensive” presentation. Now, ironically, one member of the band has some heavy criticism for one of today’s edgiest stars.
In a new interview with Kerrang!, original Black Sabbath bassist Geezer Butler explained the above-mentioned phenomenon, using his own feelings about Cardi B’s hit single “WAP” as an example. “Whatever new music comes out, it’s viewed as the devil’s music,” he explained. “I remember when Elvis came out everybody said he was Satan. And then in the ’60s and ’70s he became America’s national treasure. It happens with every new wave of music. Like metal, obviously. The Christians were going mental when Sabbath came about. And then when rap came about, people were up in arms about that and certain words that rappers were using.”
However, he says, he’s now fallen victim to this mentality himself, thanks to Cardi B’s ode to her genital juiciness. “I have to say, though, that Cardi B pisses me off with that ‘WAP’ song,” Butler continued. “It’s disgusting! But there you go. A friend of mine didn’t know what the song was about but his 10-year-old girl was singing it! I was like ‘What?!’ To put it on the album, fair enough. But to put it out as a single? That’s a bit much.”
Butler did leaven his criticism with a little self-deprecation. “Then again, I’m 71,” he joked. “A bloody old goat!”
“WAP” has drawn its fair share of critics outside of Butler though, from Ben Shapiro to some of the forefathers of rap. None of that stopped it from becoming one of the most successful singles of all time.
Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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