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Blueface Denies Writing Lyrics for Jaidyn Alexis
Blueface Stands Up for Jaidyn Alexis in the Wake of Ghostwriting Allegations
Rapper Blueface has recently taken to social media to defend his baby mother, Jaidyn Alexis, who has just launched her rap career. Alexis has released a string of singles, including “Workout,” “Stewie,” “Post opp,” and her latest track, “Barbie.” The songs have been a topic of discussion on the internet, with trolls particularly focusing on her Brazilian Butt Lift (BBL) in each video.
The song “Barbie” has stirred controversy due to its lyrics, which include shots at Blueface’s other baby mother, Chrisean. The lyrics read, “Can’t keep him with a baby, should’ve asked me / How you movin’ but still can’t outlast me / Cook, clean, f**k, you can’t pass me / I’m in the front now, sis, get the back seat.”
However, the controversy doesn’t end there. Blueface has been accused of being the mastermind behind Alexis’s lyrics. Some believe that he is ghostwriting her songs to deliver subtle messages aimed at Chrisean. One Instagram user commented, “The fact that u writing these lyrics for her to throw subliminal msgs at Chrisean is sad af, like u sure u moved on?” This comment suggests that Blueface may be using Alexis’s music as a platform to express his feelings or unresolved issues.
Blueface Rejects Claims of Using Ghostwriters
Blueface has vehemently denied these accusations. In an Instagram story where he sings along to Alexis’s “Barbie,” he insists that she wrote the lyrics herself. He even asks Alexis (off-camera) to confirm that she wrote the song, to which she responds, “That’s my s**t!”
Addressing the camera, Blueface asks, “You really think I wrote that?” He goes on to say, “That’s disrespectful. Y’all callin a n***a zesty? Is that what it is? So if I wrote them lyrics that make me zesty cuh? Jaidyn, tell em you wrote it. I ain’t never been zesty.” Despite his efforts to convince the internet that Alexis wrote the song herself, some remain skeptical. One user commented, “Now who tf told her she built like a Barbie blue please stop writing these songs.”
As the controversy continues to unfold, it remains to be seen whether the accusations will affect Alexis’s burgeoning rap career or Blueface’s reputation. Regardless of who wrote the lyrics, one thing is clear: the song has certainly sparked a conversation.
What are your thoughts on the song and the ghostwriting accusations? Share your opinions on HNHH.
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“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories
Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.
“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.
Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.
Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.
Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.
Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.
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Artist Spotlight
“I Just Want You” by Kina ft. Trevor Daniel delivers a heartfelt serenade for beautiful yearning
In “I Just Want You” by Kina, the 24-year-old Naples-born lo-fi pop maestro behind the platinum hit “Get You The Moon,” featuring Trevor Daniel, crafts a stirring sonic anthem that feels like an intimate whispered confession to the soul. The track radiates a sense of vulnerability, merging Kina’s trademark melancholic production with Trevor’s emotionally charged, velvety vocals in a seamless fusion of emotion and sound.
Right from the start, Kina’s minimalist yet lush instrumentals, with muted beats and delicate piano lines, hum in the background like a pulse, setting the stage for Trevor Daniel’s heart-on-sleeve delivery as he croons about yearning for connection. The song’s emotional gravity is undeniable, each lyric feels weighted with sincerity, a heartbeat echoing the universal ache of missing someone.
The production exemplifies Kina’s quintessential hallmark style, which is characterized by its understated but impactful nature. A warm tapestry of lo-fi elements, soft keys, atmospheric synths, and subtle percussion wraps around Trevor’s vocal performance, creating a cozy, intimate, cinematic soundscape ideal for those quiet moments when you reflect on your feelings.
What really makes “I Just Want You” unique is its ability to mix personal vulnerability, timeless vibes, passionate lyricism, and broad relatability. It’s almost as if the artists invite listeners to relive their sweet memories in a cocoon of love, translating unfiltered emotion into a beautiful melody long after the song ends.
In just under three minutes, Kina and Trevor Daniel remind listeners that sometimes, we really need honest expression set to a simple, lovely tune. “I Just Want You” is a sonic open letter to the heart of anyone who has ever loved, making it impossible not to feel the pull of its charm.
CLICK HERE TO STREAM Kina’s “I Just Want You“ on Spotify.
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