Entertainment
BOSSIP Exclusive: Goodie Mob Talks New Album “Survival Kit,” Picks Their Verzuz Opponent, Reflects On “Soul Food”–25 Years Later & More!
Goodie Mob talks their new album “Survival Kit,” reflects on the 25th Anniversary of “Soul Food,” picks their Verzuz opponent and more in interview …
Living legends!
Legendary Atlanta quartet Goodie Mob has nothing left to prove in a hype-fueled industry that never deserved them.
Comprised of Cee-Lo, Big Gipp, Khujo and T-Mo, the Mob assembled in 1991 as a vital part of iconic Hip-Hop collective The Dungeon Family responsible for countless classics that still resonate to this day.
Blessed with a multi-platinum production team and Outkast, Witchdoctor, Backbone, Big Rube, Cool Breeze, and P.A. on their side, the timeless titans reigned as one of the few respected Southern Rap groups to earn respect from Hip-Hop’s fickle gatekeepers, tastemakers, critics and fans.
For nearly 30 years, they’ve pushed the culture forward with soul-smoldering messages across an enviable catalog that now includes the essential new album “Survival Kit.”
We caught up with Khujo, T-Mo & Big Gipp to talk about their incredible new album and much, more more in an interview you absolutely need in your life.
I was excited listening to this project–how did you get that classic Goodie Mob feeling back in the studio, that synergy, that sound?
(Khujo) Ah man, we never really stopped making music so we’ve been in the saddle rockin,’ you know what I mean? So once we realized the importance of the 25th year Anniversary of “Soul food” that gave us more incentive to put a new album out for our fans…and to name it “Survival Kit”–you know, that’s the theme of what’s going on right now.
Some our fans might need our music to add to their survival kit so for us to lock in with Organize Noize and put our heads together, along with the COVID going on—it forced everybody to get together and put this project together.
(Big Gipp) COVID really put everything in perspective. It was the first time we actually got to really live the record “Cell Therapy.” Everybody.
So with that being something that was sparking the interest of the group, sparking the interest of this record all over the Internet, it was really making us feel like, ‘OK, we got our 25th Anniversary of “Soul Food” but what if we could serve our fans with a brand new album with the Magic Nine–and the Magic Nine being the four Goodie Mob, two Outkast and the three Organized Noize.’
The original ones from the Southernplayalisticadillacmuzik and that’s what we did. We put the original playas from the first time anybody ever heard us together for this album and for our fans and anybody that’s been traveling with us so we are so proud that we we were given this opportunity.
I haven’t been this proud of a project since the first and second album. And that’s the truth.
The thing about this album is you stayed true to Goodie Mob. You didn’t chase trends and do what everyone else is doing. What was the conversation like with Organized Noize?
(T-Mo) We didn’t have to do too much talking… it’s an organic situation. It’s so natural, so organized and we’re so Goodie that when we got back together, man, it was like riding a bike. Everything just fell in place naturally.
We’ve been waiting to do another record with Organized Noize, the fans been ready, begging us to do another Record with Organized Noize. It’s just a great honor and privilege to have the time and the opportunity moreso than anything else, man, to even do this album.
There’s a lot of talk about politics on the album–the state of everything going on. What direction do you feel like you want to see us move in? Whether it’s Atlanta or America in general?
(Khujo)That’s a good question–I’ll keep it simple, man, I just want to see peace. Peace and justice, you know what I mean? Not two laws–one law for the white man and one law for the Black man–a law for everybody. That’s all anybody would want… peace and to be able to provide for their family.
Do you feel, as a group, that you get the recognition you deserve as trendsetters, as tastemakers? And, as far as your legacy is concerned, do you feel content or is there something missing?
(Khujo) *smiles* what yall think, fellas?
–you coined phrases, you were the first to do so many things and I feel like it’s glossed over?
(Big Gipp) you know why! You know why. In so many areas, we were better than a lot of people that they say are the best. In so many areas. From writing our own rhymes–all our music is original. We kicked a** for five, six years straight on the stage and couldn’t nobody touch us and STILL can’t touch us.
You just know it’s fixed. It’s cool, because right now we’re going to prove again with “Survival Kit.” New music, new rhymes, no ghost writers. We did all the music and everything’s original from Atlanta AGAIN.
I had to slide this question in–who would you pick for a Verzuz battle? Who do you feel like you match up with?
(Big Gipp) Check this out, let me tell you the real deal. So when you talk about a crew who’s still making music right now, it ain’t no competition.
I keep trying to find the competition with folks. We got a real singer in our group. If you ain’t the Fugees and can bring Lauryn Hill out, you lost.
So, Goodie Mob vs. The Fugees…
(Big Gipp) That’s the only thing I can [think of]
How do you feel about the upcoming artists you influenced? Have they ever paid their proper respect? Checked in?
(T-Mo) They have. You gotta look at folks like Travis Scott who redid “Cell Therapy.” 50 Cent sampled “They Don’t Dance No More.” So it’s a whole lot of these new cats who come out and sample our stuff. To me, that’s paying homage. That’s showing love. It ain’t done out of malice. It’s done out of love because they’re checking in with us, you know.
So, it’s all love. We don’t need a stamp from everybody but just for them to be rapping right now shows us we were leaders in our generation.
Because, believe me, they were not around when we first started. They were babies or weren’t even born… we opened the door for them, brother.
In celebration of the 25th Anniversary of “Soul Food,” give me some Atlanta Soul Food restaurants to recommend to our readers?
(Big Gipp) We do a lot of cooking ourselves now *laughs* I would go with Slutty Vegan-she’s killin’ the game right now and Local Green. That’s the two spots I’ll give you. (Exclusive: Slutty Vegan x Goodie Mob collab coming soon)
Stream “Survival Kit” here and follow the legendary Goodie on Instagram here.
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Entertainment
The Jonas Brothers Just Played Halftime At The NFL’s First-Ever Game In Australia
The NFL played its first-ever regular season game on Australian soil Friday, and the league handed the halftime slot to a band that knows a thing or two about stadium-sized nostalgia: the Jonas Brothers. At the Melbourne Cricket Ground, with the Los Angeles Rams and San Francisco 49ers on the field, the trio ran through a medley built for a crowd that grew up on them — “Burnin’ Up,” “Sucker,” “Year 3000,” and their new one, “Listen When Sad.”
They also did something no one was expecting: a cover of John Farnham’s “You’re the Voice,” the 1986 Australian anthem that’s basically a second national song at this point. It’s the kind of move that plays a lot better live in Melbourne than it would’ve on paper. “Playing at the iconic Melbourne Cricket Ground in front of such passionate Australian fans is an incredible honor,” the group said in a statement ahead of the show. “We can’t wait to be part of this historic moment and celebrate with everyone in the stadium and watching around the world.”
The game itself wasn’t close — the 49ers took it 27-7 — but the real story was everything happening around the field. Cody Simpson opened the day singing “Advance Australia Fair,” and the whole event doubled as a launchpad for the Jonas Brothers’ next act: “The Burning Up Tour All Over Again,” kicking off Sept. 25 and running through Dec. 22, a nod to the original Burnin’ Up Tour from nearly two decades back.
That throwback framing isn’t just marketing. “Listen When Sad,” which the band debuted live at Madison Square Garden before Melbourne, pulls from a very specific corner of their teenage years. “We’ve tapped back into a sound that was kind of the sound of the early 2000s,” Nick told the MSG crowd. “Bands like Switchfoot, Taking Back Sunday, Dashboard Confessional.” They’ve even re-teamed with the producer behind “A Little Bit Longer” and “Lines, Vines and Trying Times” to get it right. No album’s been announced yet, but between the halftime show and the tour, it’s clear they’re not easing into this one quietly.
Entertainment
Harry Styles Is Extending His Tour Into 2027 — And Finally Playing U.S. Stadiums Solo
Harry Styles just told fans that “Together, Together” isn’t done yet. He’s tacking on 25 more stadium dates through 2027 — and this time he’s finally doing something he’s never done before as a solo artist: headlining stadiums in the U.S. and Canada.
The new leg kicks off in Phoenix on April 2 and rolls through Dallas, Los Angeles, Toronto, Atlanta and Chicago before jumping to Europe for stops in Berlin, Paris, Madrid, Rome and Dublin, wrapping with three nights at Wembley Stadium on Aug. 28. Tickets run $60 to $300, but Styles is also rolling out something new: “Unpredictable Fun Tickets,” a batch of $20 seats (£20 or €20, depending on the market) meant to keep the tour accessible, alongside a returning partnership with EARNT that lets fans earn tickets by volunteering in their communities.
Styles broke the news the old-fashioned way, in a newsletter to fans, confirming these are the tour’s “final cities.” “After that, I don’t know what comes next for me,” he wrote, “but I know that I’m excited to find out.” Every stop gets its own opening act, and the lineup is genuinely wild — Kylie Minogue in LA, Tears For Fears in London, LCD Soundsystem in Rome, Lainey Wilson in Toronto, and Caroline Polachek in Paris, among others.
This caps a run that’s already made history: Styles picked up a Guinness World Record in June for the longest residency by a musician at Wembley Stadium, beating out Coldplay’s old mark. The tour is behind his fourth album, “Kiss All the Time. Disco, Occasionally.,” which debuted at No. 1 on both the Billboard 200 and the UK Albums Chart. If this really is the last lap, he’s making sure it’s the biggest one yet.
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