Music
Bow Wow And Meek Mill Held A Packed-Out Show In Houston And People Are Not Happy
Getty Image The rappers joins a growing list of artists who have frustrated fans by holding maskless concerts during the pandemic. …
It’s been ten months since the coronavirus pandemic began in the United States, and one aspect of our life that we lost is large gatherings, including live concerts and festivals. Unfortunately, many artists have continued to hold shows in very unsafe environments, with often maskless attendees crowded together. On Friday night Meek Mill and Bow Wow held a packed show in Houston. Naturally, video of it circulated on Twitter.
Bow Wow got the club packed in Houston pic.twitter.com/iY83PSA5J3
— 2Cool2Blog (@2Cool2BIog) January 16, 2021
Risking Rona to go watch bowers wowers perform? pic.twitter.com/kzpkRxzOO5
— Jah Bongo Fed (@Sadmetsfann) January 16, 2021
These people will be showing up at work, grocery store, church, school, etc. this week, spreading COVID, and getting mad at you for telling them hospitals are overwhelmed. They should all sign waivers saying they give up hospitalization so other people can get the beds.
— Vicki Stanbury (@VickiStanbury) January 16, 2021
Bow Wow caught most of the flak. A video posted on 2Cool2Blog Twitter page showed maskless individuals in close contact with each other as the rapper performed on stage, causing viewers to question why attendees opted to risk catching coronavirus in order to see him perform live. One person also pointed out that those in attendance may eventually go to work, their local grocery store, or other places without entering quarantine or getting tested, thus spreading the virus.
Meek and Bow Wow are not the first artists to upset people this way. Mulatto, DaBaby, Chase Rice, and others have done so, too.
You can watch footage from the rappers’ show above and read some more reactions below.
— A Tribe called Blessed. (@Bornjamerican18) January 16, 2021
The selfishness that exists amongst Americans is just astounding.
— Megan (@MeganLeazes) January 16, 2021
— Rome Curry (@RomeCurry1) January 16, 2021
So you got coronavirus at a club going to see bow wow perform during the height of a pandemic. pic.twitter.com/3UfNE6K4Wq
— lovedstrong (@SOFA_KING_BRI) January 16, 2021
a room full of grandma killers https://t.co/iRe8P5rqLP
— pfire#QueenOfPopCulture #CivilWrites (@firefire100) January 16, 2021
We ain’t never getting out this pandemic man https://t.co/dqbpPNfeu7
— Cam (@cammthegoatt) January 16, 2021
Nobody here wants this to end smh. https://t.co/YfE1SwXejd
— Glow Dealer / Esthetician (@shaydee___) January 16, 2021
No masks…just lies. https://t.co/5WSOQncnhE
— DDOT. (@DDotOmen) January 16, 2021
self explanatory of why this is absolutely stupid https://t.co/7U9pWyy81j
— salma (@Me9Moods) January 16, 2021
Meek Mill is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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Clay and Kelsy Embrace Darkness and Light in Transformative EP ‘I am’
Clay and Kelsy, the innovative pair at the forefront of Los Angeles’ indie music scene, present their latest project: the emotionally charged and sonically intricate EP, ‘I am’. This work consists of five tracks that delve into the complexities of doubt, emotional pain, and the intricacies of self-discovery, addressing the multifaceted nature of the human experience—from heartache to resilience.
The EP opens with “Insecure,” a raw sonic narrative that unpacks themes of waning self-confidence. Following this, “You Hurt Me” delivers a poignant exploration of betrayal, characterized by its evocative lyrics and dynamic arrangement. The track “I Miss You” amplifies the emotional landscape with its soulful introspection, articulating the challenges of grief and attachment faced while letting go. In “Memories of Me,” the duo addresses the profound weight of despair, tackling themes of existential fragmentation and mental health struggles with brutal honesty.
The titular track, “I am,” emerges as a pivotal moment within the EP—serving as a testament to survival, growth, and the journey toward self-acceptance. This piece balances the turmoil of past experiences with an optimistic outlook on future endeavors, ultimately acting as a powerful affirmation of resilience and readiness to confront forthcoming challenges.
Clay and Kelsy’s exceptional storytelling is complemented by their innovative integration of electronic soundscapes with soulful lyrics and instrumentation, transforming ‘I am’ into a cathartic listening experience. As artists, producers, and co-founders of CKI—an initiative championing women’s empowerment and amplifying underrepresented voices—they infuse their work with authenticity and creativity. ‘I am’ signifies a significant evolution in their artistic trajectory, and the anticipation for their next steps is palpable within the industry.
Artist Spotlight
Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love experience that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of envious love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
CONNECT WITH Sadie Brown | Instagram |
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