Music
Bow Wow And Meek Mill Held A Packed-Out Show In Houston And People Are Not Happy
Getty Image The rappers joins a growing list of artists who have frustrated fans by holding maskless concerts during the pandemic. …

It’s been ten months since the coronavirus pandemic began in the United States, and one aspect of our life that we lost is large gatherings, including live concerts and festivals. Unfortunately, many artists have continued to hold shows in very unsafe environments, with often maskless attendees crowded together. On Friday night Meek Mill and Bow Wow held a packed show in Houston. Naturally, video of it circulated on Twitter.
Bow Wow got the club packed in Houston pic.twitter.com/iY83PSA5J3
— 2Cool2Blog (@2Cool2BIog) January 16, 2021
Risking Rona to go watch bowers wowers perform? pic.twitter.com/kzpkRxzOO5
— Jah Bongo Fed (@Sadmetsfann) January 16, 2021
These people will be showing up at work, grocery store, church, school, etc. this week, spreading COVID, and getting mad at you for telling them hospitals are overwhelmed. They should all sign waivers saying they give up hospitalization so other people can get the beds.
— Vicki Stanbury (@VickiStanbury) January 16, 2021
Bow Wow caught most of the flak. A video posted on 2Cool2Blog Twitter page showed maskless individuals in close contact with each other as the rapper performed on stage, causing viewers to question why attendees opted to risk catching coronavirus in order to see him perform live. One person also pointed out that those in attendance may eventually go to work, their local grocery store, or other places without entering quarantine or getting tested, thus spreading the virus.
Meek and Bow Wow are not the first artists to upset people this way. Mulatto, DaBaby, Chase Rice, and others have done so, too.
You can watch footage from the rappers’ show above and read some more reactions below.
— A Tribe called Blessed. (@Bornjamerican18) January 16, 2021
The selfishness that exists amongst Americans is just astounding.
— Megan (@MeganLeazes) January 16, 2021
— Rome Curry (@RomeCurry1) January 16, 2021
So you got coronavirus at a club going to see bow wow perform during the height of a pandemic. pic.twitter.com/3UfNE6K4Wq
— lovedstrong (@SOFA_KING_BRI) January 16, 2021
a room full of grandma killers https://t.co/iRe8P5rqLP
— pfire
#QueenOfPopCulture
#CivilWrites (@firefire100) January 16, 2021
We ain’t never getting out this pandemic man
https://t.co/dqbpPNfeu7
— Cam
(@cammthegoatt) January 16, 2021
Nobody here wants this to end smh. https://t.co/YfE1SwXejd
— Glow Dealer
/ Esthetician (@shaydee___) January 16, 2021
No masks…just lies. https://t.co/5WSOQncnhE
— DDOT. (@DDotOmen) January 16, 2021
self explanatory of why this is absolutely stupid https://t.co/7U9pWyy81j
— salma (@Me9Moods) January 16, 2021
Meek Mill is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
“Empatia” by Aurien & Jab Vix set the tone for an atmospheric new era
“Empatia,“ the stunning electronic debut of Aurien, in collaboration with Jab Vix, is the start of a new creative universe under Aurien’s newly launched imprint Château Bonheur Musique. The track feels like a doorway into a curated emotional space, built from atmosphere, storytelling, and immersive sound design.
“Empatia” is founded upon a contemporary electronic aesthetics that favors texture. The production is sleek and considered, offering up soft rhythmic pulses within roomy layers that breathe. Working with Jab Vix gives texture and dynamics to Aurien’s perspective and sets the sound for the song. It’s more about feeling the music than looking for peaks of high energy. It builds slowly and invites you to sit in the mood.
A highlight is the “Elegant Mix,” which takes the original and gives it a more subdued, slicker makeover. It allows the heart of the composition to come through more intimately, and this duality reinforces the idea behind Château Bonheur Musique as environment, experience, and feeling. “Empatia” is a debut statement and manifesto for the immersive, emotionally intelligent electronic music that works as effortlessly as it does in shared spaces. It’s a thoughtful direction for Aurien, where sound is not just heard, but lived in.
Artist Spotlight
Saint Escape injects an attitude into a classic for a new generation on latest release “Everybody Wants To Rule The World”
SAINT ESCAPE takes a classic favorite, “Everybody Wants To Rule The World,” and gives it a new twist, transforming the iconic hit into an alternative rock statement full of personality and modern flair.
Rather than just repeating a familiar song, Saint Escape offers a bold vision to the track. There’s a touch of “baddiecore-lite” attitude, married with alt-rock vibes, a feeling that seems tailor-made for those who love nostalgia but want something that speaks to today. The result is familiar, yet refreshingly different.
The track establishes its own identity right from the first moments. The alternative rock styling provides a sharper edge to the song’s timeless themes, making for a dynamic listening experience that feels vibrant and contemporary. With confidence in every note, the performance can stand on its own but still respect the legacy of the original.
While acknowledging the song’s emotional and cultural significance, Saint Escape also celebrates a more rebellious aesthetic. The “baddiecore-lite” influence adds an interesting attitude to the track, making it feel fun, confident and effortlessly cool.
Connect with SAINT ESCAPE on Spotify || Instagram || Youtube
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#QueenOfPopCulture
#CivilWrites (@firefire100)
(@cammthegoatt)
/ Esthetician (@shaydee___) 