Music
Boxing Star Ryan Garcia’s Shocking Twitter Rant, Calls Eminem “Overrated Gay Satanist” Amid Personal Apologies
Ryan Garcia, the boxing sensation known for his lightning-fast punches, has taken to Twitter with a series of controversial statements aimed at none other than Eminem. On Sunday, July 14, Garcia unleashed his fury against the iconic rapper, sparking a social media firestorm.
“Eminem is a satanist,” Garcia tweeted, echoing Candace Owens’ critique of the Detroit rapper. “I always thought he was overrated but hey that’s just my opinion. Wait Eminem is a homo? Eminem=Gay.” Despite his provocative claims, Garcia added, “For the record I don’t care if Eminem is Gay. Nor do I care if he was straight. Just keep that devil shit he’s doing in his music videos away from kids.”
In a follow-up post, Garcia shared a picture of Eminem dressed as Britney Spears from the “Real Slim Shady” music video, captioning it “Feminem.” He added, “You can’t pay me enough to wear a dress and heels. If I ever do, just remember I didn’t want to do it. I’d go down fighting before I start doing all that.”
Garcia’s rant continued as he criticized Eminem’s lyrics and expressed frustration over the perceived double standards in how his own controversial remarks are received. However, this social media outburst is just the latest in a series of troubling behaviors from the boxer.
Recently, Garcia issued multiple apologies for his conduct, particularly towards his ex-wife Andrea Celina. In a heartfelt message, he retracted previous accusations against her, acknowledging, “Andrea, you’re the mother of my children and somebody I’ll always have love and respect for. I retract all my statements about her.”
Garcia’s erratic behavior has also led to serious professional consequences. His previous Twitter outburst, which included racial slurs and offensive comments about George Floyd, resulted in his expulsion from the World Boxing Council (WBC). WBC President Mauricio Sulaiman stated, “Exercising my authority as president of the WBC, I am hereby expelling Ryan Garcia from any activity with our organization. We reject any form of discrimination. I fear for Ryan’s well-being. He has declined multiple attempts for our help with mental health and substance abuse.”
As Garcia navigates his personal and professional turmoil, his latest rant against Eminem has only added fuel to the fire, leaving fans and critics alike wondering what comes next for the embattled boxer.
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Artist Spotlight
Adrie ft. Rulo evokes the groove-soaked rhythmic vibe with her debut single “Bring Back the Light”
Adrie’s thought-provoking vibe, “Bring Back the Light,” establishes a sonically vivid kaleidoscope that encapsulates vitality and skillfully merges energetic Afrobeat rhythms and funk-oriented guitar melodies with the soulful combination of English and Spanish lyrics. The debut single from her upcoming concept album bursts forth as a significant representation of artistic innovation. The audacious collaboration with Chilean artist Rulo, recognized for his proficiency in Latin funk and hip-hop roots, infuses the track with a layer of vibrant authenticity.
The song’s heartbeat is firmly rooted in Afrobeat, establishing a dynamic rhythm that engages listeners from the outset. The funk guitar elements interlace throughout the composition, contributing a timeless energy. Additionally, the bilingual lyrics transition seamlessly between English and Spanish, reflecting Adrie’s diverse cultural heritage. This linguistic interplay underscores the overarching theme of the track: the complex relationship between light and darkness on both societal and personal levels.
Drawing inspiration from the surreal narrative of the television series ‘Twin Peaks,’ Adrie and Rulo explore the equilibrium between fear and hope. The lyrics are imbued with emotional depth, articulating Adrie’s battle with anxiety and her desire to foster positivity. Nevertheless, the overall composition rises above the melancholy theme, characterized by an uplifting rhythm and celebratory tone, encouraging listeners to engage intellectually, contemplate profoundly, and participate physically through dance.
“Bring Back the Light” aims to illuminate these pressing issues and inspire proactive engagement. It is a poignant reminder that even amidst personal or societal challenges, there’s a rhythm in life to celebrate and a spark waiting to be ignited. This represents Adrie at her most creative, and with Rulo’s distinctive flair, the outcome is a dance-floor anthem characterized by both heartfelt and meaningful. Listeners are invited to increase the volume and allow the music to uplift and brighten their spirits.
CLICK HERE TO STREAM Adrie’s “Bring Back the Light“ on Spotify.
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Album Review
“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories
Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.
“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.
Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.
Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.
Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.
Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.
For more information about Katie Curley, please visit [website].
CLICK HERE TO STREAM Katie Curley’s EP “Big Colored Lights“ on Spotify.
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