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Breonna Taylor’s BF Says Police Told Him It Was “Unfortunate” He Wasn’t Shot

There are so many disturbing aspects about what happened to Breonna Taylor that we don’t even know where to start.

Kenneth Walker, Taylor’s boyfriend, is speaking out about what happened to her, opening up in an interview with Gayle King for CBS This Morning where he divulges even more disgusting details about that night.

Among other things, Walker says that a police officer told him it was “unfortunate” that he was not struck with bullets.


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“I thought they was coming for help because I called 911 [after they barged through the door],” said Walker to Gayle King. “So, when I go outside, there’s guns pointed at me and I’m being threatened with dogs and whatever else. An officer asked me was I hit by any bullets and I said no. He said ‘that’s unfortunate’, so that threw me off too. What does he mean by that?”

Walker says earlier on that when they heard a “loud bang” at the door, they asked who was there. He alleges that none of the officers identified themselves when he and Breonna called out several times. 

“If they had knocked on the door and said who it was, we could hear them,” says Walker. “I’m a million percent sure that nobody identified themselves.”

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Walker claims that, after the knock, they went to put on clothes to see who was there, and Walker grabbed his gun, which he was licensed to carry. “That was the one time I had to use it,” he says. “And if it was the police at the door and they just said ‘we’re the police’, me or Breonna didn’t have a reason at all not to answer the door and see what they wanted.”

He says that he fired one shot after the door flew off the hinges, believing that if somebody was trying to break in, they would “not want to do anything after that”. Then, he describes the barrage of gunfire, comparing it to what “war probably sounds like”. 

Watch part of Kenneth Walker’s interview with Gayle King below.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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