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Bruce Springsteen And The E Street Band Bring ‘Ghosts’ And ‘I’ll See You In My Dreams’ To ‘SNL’

The legendary singer and the band came together on late-night TV for their first performance in almost four years. …

For the first time in six years, Bruce Springsteen and the E Street Band reunited for this year’s Letter To You. The project debuted at No. 2 on the Billboard albums charts making it Springsteen’s sixth consecutive decade with a top-five album, a feat that only he has been able to accomplish. Making sure that their reunion is a full experience that fans can enjoy, Springsteen and the E Street Band took their talents to Saturday Night Live to perform together for the first time in nearly four years.

Just like many artists have done during their SNL appearances this season, Springsteen and the band performed a pair of songs for the limited audience, starting with “Ghosts” before concluding the night with “I’ll See You In My Dreams.” The exhilarating performances saw The Boss and company fully rocked-out on stage. Unfortunately for their set, the entire E Street Band was not there due to coronavirus restrictions. Earlier this week, Springsteen revealed that founding bassist Garry Tallent and violinist Soozie Tyrell would not appear at the SNL performance because of “restrictions and concerns.” Tallent was replaced by Jack Daley of the Disciples of Soul for their set.

Springsteen’s SNL set comes after he recently explained why he’s never recorded a Christmas album. “The thing is, you only want to do it around Christmas time, but you don’t want to do it then either, because it’s around Christmas time and you don’t feel like working,” he said on a recent The Tonight Show appearance. “Then Christmas time goes away and you gotta do it in the summertime when you just don’t feel like it. So, we haven’t gotten around to it. Maybe one of these days.”

You can watch the SNL performances in the videos above.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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