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Bruce Springsteen And The E Street Band Bring ‘Ghosts’ And ‘I’ll See You In My Dreams’ To ‘SNL’

The legendary singer and the band came together on late-night TV for their first performance in almost four years. …

For the first time in six years, Bruce Springsteen and the E Street Band reunited for this year’s Letter To You. The project debuted at No. 2 on the Billboard albums charts making it Springsteen’s sixth consecutive decade with a top-five album, a feat that only he has been able to accomplish. Making sure that their reunion is a full experience that fans can enjoy, Springsteen and the E Street Band took their talents to Saturday Night Live to perform together for the first time in nearly four years.

Just like many artists have done during their SNL appearances this season, Springsteen and the band performed a pair of songs for the limited audience, starting with “Ghosts” before concluding the night with “I’ll See You In My Dreams.” The exhilarating performances saw The Boss and company fully rocked-out on stage. Unfortunately for their set, the entire E Street Band was not there due to coronavirus restrictions. Earlier this week, Springsteen revealed that founding bassist Garry Tallent and violinist Soozie Tyrell would not appear at the SNL performance because of “restrictions and concerns.” Tallent was replaced by Jack Daley of the Disciples of Soul for their set.

Springsteen’s SNL set comes after he recently explained why he’s never recorded a Christmas album. “The thing is, you only want to do it around Christmas time, but you don’t want to do it then either, because it’s around Christmas time and you don’t feel like working,” he said on a recent The Tonight Show appearance. “Then Christmas time goes away and you gotta do it in the summertime when you just don’t feel like it. So, we haven’t gotten around to it. Maybe one of these days.”

You can watch the SNL performances in the videos above.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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