Album Review

Dianña is Back with New Christmas Single

With the graceful demeanor of a classic country crooner, Dianña draws us into her inescapable melodic web in the new single “Missing You Underneath the Mistletoe,” an ode to the holiday season and a tribute to the sumptuous sounds of winter. “Missing You Underneath the Mistletoe” has the feel of something straight out of the classic American songbook, and yet its foundations aren’t marred in a lot of familiar themes we’ve heard a hundred times before.

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Undaunted by the notion of having to live up to all of those other recording artists who took a crack at this genre every December, Dianña decadently adds a country nuance to this composition’s boxy beat and makes it feel not only like a taste of the holidays akin to eggnog but also like a glimpse into her artistic palate as we’ve never heard it before. She doesn’t hold anything back from us in this new single, and if you love Christmas as much as I do you can consider this track required listening all month long.

Dianña is so patient in the execution of her verses that her musical profile has much more in common with the vocal standards singers of the early 20th century than it does with many of her peers. She’s decidedly more restrained than anyone in contemporary pop, yet she has this intrepid nature as a performer that makes her ambitious goals seem a little easier to reach.

“Missing You Underneath the Mistletoe” demands a certain amount of nimbleness from the singer of its tender words, but rather than trying to cross the finer points of the song with a lot of vibrato-filled showing off, she glides through the prose without ever attacking its more difficult twists and turns. For someone with the skillset that Dianña has there’s no need to embellish the melody with unneeded bells and whistles. She’s letting the groove of this piece do all the work for her and merely adding her vocal stylings as a finishing touch.

There’s so much color and rich texture to this recording that I could spend hours trying to analyze its deeper intricacies. Dianña is very good at sewing more minute details together in the fabric of her songs, and though she could have gone with something more streamlined, she put just as much effort into making these ridges feel larger than life.

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We’re nudged closer to the flame in her heart with the utterance of each syllable, and instead of feeling like we’re hearing a tired old Christmas song that’s been played at one too many parties, it’s like we’re experiencing the same joy that children feel when they come dashing towards the tree on Christmas morning.

If you haven’t already done so, I highly recommend securing a copy of “Missing You Underneath the Mistletoe” this December; Dianña offers us one of the best songs of the holiday season without wrapping it in all the commercial ribbons we’re used to. For what I look for in this genre, she’s hit the spot and then some.

Babette Cook

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Cashus King & Big O deliver a 14-track journey of growth with “Water to Wine” album

Hip hop duo Cashus King and Big O release their new concept album “Water to Wine,” which is about transformation, faith, and purpose. The album is inspired by the miracle at Cana in the Book of John, where water is the raw human potential, and wine is the final stage of growth, formed by pressure, time, and belief.

The opening track, “Barry Water,” sets out the theme of origin and unspoiled energy, while “LikWid (Big Fish)” dives into the depths of identity and survival. “Precipitation” is a change under pressure, and “Cherry Cola” is a reflection that balances life’s sweetness with reality. “Streams” has an emotional flow and direction, and “Drownin’” has a weight of struggle and internal conflict.

“Hydration (Reign)” provides strength and renewal, then “Drippin (Soakin Poems)” shows creativity flowing through lived experience. “Potions” addresses transformation as self-crafting, and “Swimmin’” addresses endurance in the face of adversity. “Holy Water” gives a feeling of cleansing and Spiritual introspection, while “Like Lava for Water” balances heat, pressure, and transformation in movement.

The final part of the album, “Dark Agua,” continues the story with an exploration of self-awareness in the shadows, and “Wine” closes out the album as the pinnacle of transformation. The album includes guest appearances from Blu, Fashawn, L.O.U., P-Rawb, Big Tone, G-HOLY, Frannie EL, and Shari and is a body of work about becoming who you were always meant to be.

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Album Review

C’batch returns with “C’batch – The Vault 2 Soul/R&B/Pop/ Rock/Reggae,” a multi-genre story of emotion and identity

C’batch is back with a bang with a powerful new project titled “C’batch – The Vault 2 Soul/R&B/Pop/ Rock/Reggae,” a 20-track album that expands his archive series with a bold mixture of genres and emotional storytelling. It runs through soul, R&B, pop, rock, and reggae, and creates a large musical space that is personal and expressive.

The album opens up a space for reflection and openness, with “Will This Be the Last Time?” hinting at uncertainty and emotional finality, creating a reflective tone for the project. “Giving You All My Love” is a song of devotion, with warm melodies and an emotional center, while “The Word Is Out (Will I Get Over You?)” is a pop sound with soulful introspection delving into inner conflict.

“Found What’s Right for Me” is about clarity and self-discovery in a more tender emotional space, and “Hey Victoria” is a more direct human connection moment. “Call on Me” brings in an element of reach and emotional dependence, while “Round & Round” echoes repetitive thoughts and patterns in relationships. “Next Time (I Won’t Be Falling)” is a promise of emotional strength and growth. “All Things Are Possible” is positive and open to change, and “Can I Hold On?” is mature with openness and emotional tension.