Music

Cam’ron Sparks Controversy, Chicago and Louisiana Have the Best Rap Lyricists, Not New York

Cam’ron, hailing from the birthplace of hip-hop in Harlem, has ignited a heated debate with his recent comments on rap lyricism. Despite his New York roots and significant influence in the early 2000s, Cam’ron surprised fans by naming Chicago and Louisiana as the top regions for rap lyricists during a recent episode of It Is What It Is.

While discussing the Windy City’s rap scene with co-host Mase, Cam’ron praised its artists, stating, “They may have the best lyricists. Them and Louisiana. I’m talking about, like as far as lyricism.” This bold statement was backed by Cam’ron’s reflections on the historical elitism of New York’s rap scene in the ’80s and ’90s. “New York used to call people country,” he noted, using Lil Wayne as a prime example. “Even thinking about Lil Wayne. You get on a record with Lil Wayne, you gotta be careful. You get on a record with Eminem, you gotta be careful.”

Though Eminem, hailing from Detroit, only partially supports Cam’ron’s thesis, the rapper remained steadfast. “These n**gas are really lyricists,” he asserted. Cam’ron’s admiration for Weezy and Chicago artists isn’t without precedent. Dipset, his group, recognized Lil Wayne’s talent early on, collaborating with him multiple times before Tha Carter III. Additionally, Cam’ron worked with Kanye West during his early days as a rapper, featuring on West’s second album and having West produce tracks on 2004’s Purple Haze.

Cam’ron’s critical stance towards New York hasn’t been limited to its music scene. Recently relocating to Las Vegas, he cited the city’s rat problem as a major reason for his move. “I just left New York. That sht was disgusting,” he shared on Instagram Live. “I can’t do this sht… I’m not apologizing for it neither. I ain’t even gonna act like I’m sorry for it a little bit.” Now enjoying life in the desert, Cam’ron made headlines again by dressing up as his former podcast guest, OJ Simpson, at a Vegas Fourth of July party.

Cam’ron’s controversial opinions have undoubtedly stirred the pot, leaving fans and critics alike debating whether Chicago and Louisiana truly outshine New York in the realm of rap lyricism.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

Connect with Lisa Boostani on Instagram | Facebook |

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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