Music

Cam’ron Sparks Controversy, Chicago and Louisiana Have the Best Rap Lyricists, Not New York

Cam’ron, hailing from the birthplace of hip-hop in Harlem, has ignited a heated debate with his recent comments on rap lyricism. Despite his New York roots and significant influence in the early 2000s, Cam’ron surprised fans by naming Chicago and Louisiana as the top regions for rap lyricists during a recent episode of It Is What It Is.

While discussing the Windy City’s rap scene with co-host Mase, Cam’ron praised its artists, stating, “They may have the best lyricists. Them and Louisiana. I’m talking about, like as far as lyricism.” This bold statement was backed by Cam’ron’s reflections on the historical elitism of New York’s rap scene in the ’80s and ’90s. “New York used to call people country,” he noted, using Lil Wayne as a prime example. “Even thinking about Lil Wayne. You get on a record with Lil Wayne, you gotta be careful. You get on a record with Eminem, you gotta be careful.”

Though Eminem, hailing from Detroit, only partially supports Cam’ron’s thesis, the rapper remained steadfast. “These n**gas are really lyricists,” he asserted. Cam’ron’s admiration for Weezy and Chicago artists isn’t without precedent. Dipset, his group, recognized Lil Wayne’s talent early on, collaborating with him multiple times before Tha Carter III. Additionally, Cam’ron worked with Kanye West during his early days as a rapper, featuring on West’s second album and having West produce tracks on 2004’s Purple Haze.

Cam’ron’s critical stance towards New York hasn’t been limited to its music scene. Recently relocating to Las Vegas, he cited the city’s rat problem as a major reason for his move. “I just left New York. That sht was disgusting,” he shared on Instagram Live. “I can’t do this sht… I’m not apologizing for it neither. I ain’t even gonna act like I’m sorry for it a little bit.” Now enjoying life in the desert, Cam’ron made headlines again by dressing up as his former podcast guest, OJ Simpson, at a Vegas Fourth of July party.

Cam’ron’s controversial opinions have undoubtedly stirred the pot, leaving fans and critics alike debating whether Chicago and Louisiana truly outshine New York in the realm of rap lyricism.

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Artist Spotlight

Cali Tucker Unwraps Christmas Magic With Her New EP “Santa Baby”

Cali Tucker is back in the spotlight this season with “Santa Baby,” a beautifully made holiday EP that captures the heart, warmth, and timeless glow of Christmas classics. Cali is known for singing the National Anthem at NASCAR’s Pennzoil 400 in front of 80,000 fans and more than three million people at home. She brings the same powerful presence and emotional depth to this holiday project.

“Santa Baby” is a great holiday release for music lovers, bloggers, and new artist discovery sites. It has six tracks and lasts 20 minutes. It mixes nostalgia with Cali’s signature smooth vocals. Each song shows off her talent, but “O Holy Night” and “The Christmas Song” are two that stand out as favorites. Both performances show off her range, control, and ability to bring classic songs into modern emotional spaces without losing their original charm.

“O Holy Night” stands out as the EP’s spiritual center, with a glowing performance full of dynamics, warmth, and a cinematic stillness that draws people in. Cali gives the song both respect and a unique touch, breathing new life into a well-known hymn. “The Christmas Song,” on the other hand, makes you feel like you’re sitting next to a fire. It’s soft, heartfelt, and full of stories that make you feel nostalgic. Cali’s voice flows effortlessly through every note, making it impossible not to feel the magic of the season.

The whole EP flows easily and has a mix of fun sparkle, soulful warmth, and classic Christmas music. “Santa Baby” is the perfect song for the season, whether people are making holiday playlists, looking for new Christmas music, or discovering new vocal talents. This EP adds a new but familiar sound to today’s holiday music scene. It has a comforting feel and is easy to listen to repeatedly.

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Artist Spotlight

Kalpee Honors Heritage and Heart on His Emotion-Rich New EP Dougla Boi

Kalpee is back with Dougla Boi, a beautiful new EP that is both personal and powerful. It gives listeners a close look at the layers of identity, heritage, and emotion that make him who he is. The Trinidad and Tobago artist is confident in his own space, which is rooted in New Calypso and polished with hints of dancehall, R&B, and afrobeats. In this space, genre bends, but emotion leads.

Named after the Trinidadian word for someone of mixed African and Indian heritage, Dougla Boi is honest, proud, and warm about the complexities of culture. Kalpee opens a window into the dualities that define him across six tracks, turning personal truth into universal resonance. The EP is just under 19 minutes long, but every second is carefully planned to take listeners on a journey through courage, joy, healing, and the quiet strength that comes from accepting all parts of yourself.

The first single, “Under,” stands out right away for its calming yet emotionally charged experience. Kalpee’s voice flows over a beat that sounds both new and old, fitting the EP’s theme of bringing cultures together. It’s one of the best examples of how he can mix soft and hard sounds, which is what makes his New Calypso sound so unique.

“Everybody,” which features Full Blown, is another excellent song that has already done very well. It has a happy vibe and an infectious bounce, making it one of the EP’s most replayable songs. “Everybody” captures the spirit of community and shared experience, which is what Kalpee means when he says that identity is not a box but a rhythm.

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