Music
Cardi B Apologizes After Many Were Offended By Her Hindu Goddess Photoshoot
Getty Image ‘If people think I’m offending their culture or their religion I want to say I’m sorry,’ she said. ‘That was not my intent.’ …
Back in October, Cardi B unveiled the Club C Cardi shoe, a collaboration with Reebok that would go on sale on November 13. As a part of its rollout, she did a cover shoot for Footwear News, but the resulting image received a large amount of criticism after it appeared to emulate the Hindu culture, which many found disrespectful.
Cardi b did not pay “homage” to the Hindu goddess Durga by holding a shoe in her hand, this is plain disrespect and in no way cultural appreciation. she can’t getaway with this without addressing and apologizing for mocking our culture pic.twitter.com/ZLVcz0mBlB
— Hana (@MissAmericHANA) November 11, 2020
you're fucking kidding this is so disrespectful to hindu culture?? how do celebrities not understand that using other people's culture to promote their brand is wrong on so many levels!? On top of that they're comparing CARDI B to a hindu goddess… worms for brains. pic.twitter.com/Oz7g79VMqn
— sami (@soobmoob) November 11, 2020
One person labeled it as “plain disrespect,” saying that the cover is “in no way cultural appreciation,” while another asked, “how do celebrities not understand that using other people’s culture to promote their brand is wrong on so many levels!?” In response to the backlash, Cardi apologized for offending people with the photoshoot.
Cardi Addressing The Hindu Situation In Apologizing Pt 1 Via: Instagram stories pic.twitter.com/YRo2XKXK9s
— The Popular Table (@PopularCardiB) November 11, 2020
“When I did the Reebok shoot, the creatives told me I was going to represent a Goddess; that she represents strength, femininity, and liberation, and that’s something I love and I’m all about,” she said. “And though it was dope, if people think I’m offending their culture or their religion I want to say I’m sorry. That was not my intent. I do not like disrespecting nobody’s religion. I wouldn’t like people to offend my religion.” She added, “I wasn’t trying to be disrespectful; maybe I should have done my research, I’m sorry, I can’t change the past, but I will do more research for the future.”
Footwear News also shared a statement on the issue with People. “Yesterday we posted content from our exclusive Cardi B cover shoot. One of the images was intended to pay homage to Hindu goddess Durga, and our intent was to show a powerful woman,” the magazine said. “However, we realize we were not considerate of certain cultural and religious perspectives and how this could be perceived as deeply offensive.” They added, “Today, we’re releasing another cover from the shoot that was a subscriber exclusive.”
Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
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