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Chance The Rapper Brushes Off Fans’ Lukewarm Reception Of ‘The Big Day’

Chance shuts down haters by reminding them that he’s ‘really really good at rapping.’ …

It’s no secret that Chance The Rapper’s debut album The Big Day landed with more of a thud than a bang, despite actually being pretty good (I will die on this hill). Fans expecting the looser, more straightforward feel of projects like 10 Day, Acid Rap, and Coloring Book were disappointed by the seemingly jumbled collection of music on the album, with their glossy production and lofty ambitions (I will allow that it was too long and could have been sequenced better). It’s led to more overt criticism of his recent output, prompting him to complain that it felt like fans wanted him to be miserable due to their jokes about him getting back on drugs.

However, he also has a truly compelling argument to those fans, which he shared during an interview with Ebro In The Morning to talk about his recently reissued Christmas album. When the host asked him about all the hate — “throwing rocks at the throne,” as he put it — Chance explained that he has a different metric for success. “I’m just really, really good at rapping,” he declared. “So, regardless of what happens, I’ma always have that to fall back on — and if that doesn’t work, I can perform my old raps. If that don’t work, I can direct someone else’s raps. There’s nobody that can rap like me. That’s a cool thing to have.”

That’s actually a pretty smart way to look at things — at the very least, it keeps him from overly focusing on fans’ jokes about his content. Even if he raps about being a family man, which is probably something many of his young fans can’t relate to, he does so really well, so as long as he is meeting his own standards, he technically can’t fail in the opinion of the only person whose opinion matters — his own.

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However, the fallout from The Big Day has affected him in other ways. His former manager Pat Corcoran recently filed a lawsuit for $3 million in back pay, citing breach of contract and claiming that Chance let his family talk him into making bad business moves that exacerbated the negative feedback from the album. Chance’s lawyers shot down the accusation, but without Pat The Manager’s help, he may find it’s harder to repeat his prior successes. Maybe collaborating with Dionne Warwick will give him some insight to extending his longevity.

Watch Chance’s full interview with Ebro above.

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Artist Spotlight

XMOXY invites listeners get ready to move on new releases “Surge”

XMOXY

XMOXY storms in with “Surge,” a nonstop burst of energy that won’t go away. The song starts with a fast-paced ~160 BPM beat that gives you a pulse, making you want to move, whether you’re working out late at night, playing a game, or driving to work at full volume.

“Surge” is all about contrast and collision at its core. Heavy, distorted guitars crash into aggressive synth production, creating a sound that feels both rough and well-crafted. The rhythm section hits at just the right time, propelling the song forward with undeniable force.

“Surge” is a thrilling mix of styles, with the edge of modern alt-rock, the intensity of EDM, and the grand scale of movie-trailer music. The sound is both new and bigger than life. It works well with high-energy playlists, but it also stands out on its own.

Connect with XMOXY on Spotify

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Artist Spotlight

The Divine Saint of Love delivers easygoing energy with new release “ZaZa”

The Divine Saint of Love

Divine Saint of Love’s latest release, “ZaZa,” settles into its groove with confidence, giving people who get it a calm escape without needing to explain. “ZaZa” doesn’t have complicated plots or perfect writing. Instead, it fully embraces a calm, almost weightless atmosphere where mood is paramount.

The Divine Saint of Love doesn’t go overboard or make the message less clear. People who love weed and like to relax without being bothered by noise will like the song. It’s not about having too much or too little; it’s about staying calm, clear, and in your own rhythm.

It doesn’t have to be a well-known song. It is powerful because it is real and can connect with the people it is meant for on a deep level. “ZaZa” doesn’t feel like a performance, it feels more like a moment that everyone can relate to, even if it’s not.

Connect with The Divine Saint of Love on Spotify || Instagram || Facebook || Youtube

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