Music
Chance The Rapper Brushes Off Fans’ Lukewarm Reception Of ‘The Big Day’
Chance shuts down haters by reminding them that he’s ‘really really good at rapping.’ …
It’s no secret that Chance The Rapper’s debut album The Big Day landed with more of a thud than a bang, despite actually being pretty good (I will die on this hill). Fans expecting the looser, more straightforward feel of projects like 10 Day, Acid Rap, and Coloring Book were disappointed by the seemingly jumbled collection of music on the album, with their glossy production and lofty ambitions (I will allow that it was too long and could have been sequenced better). It’s led to more overt criticism of his recent output, prompting him to complain that it felt like fans wanted him to be miserable due to their jokes about him getting back on drugs.
However, he also has a truly compelling argument to those fans, which he shared during an interview with Ebro In The Morning to talk about his recently reissued Christmas album. When the host asked him about all the hate — “throwing rocks at the throne,” as he put it — Chance explained that he has a different metric for success. “I’m just really, really good at rapping,” he declared. “So, regardless of what happens, I’ma always have that to fall back on — and if that doesn’t work, I can perform my old raps. If that don’t work, I can direct someone else’s raps. There’s nobody that can rap like me. That’s a cool thing to have.”
"I'm just really really good at rapping…" @chancetherapper addresses the haters & doubters after the release of #TheBigDay
Watch the full conversation w/ @EbrointheAM: https://t.co/nN7s1w6pJy pic.twitter.com/tZGBrffHrS
— HOT 97 (@HOT97) December 15, 2020
That’s actually a pretty smart way to look at things — at the very least, it keeps him from overly focusing on fans’ jokes about his content. Even if he raps about being a family man, which is probably something many of his young fans can’t relate to, he does so really well, so as long as he is meeting his own standards, he technically can’t fail in the opinion of the only person whose opinion matters — his own.
However, the fallout from The Big Day has affected him in other ways. His former manager Pat Corcoran recently filed a lawsuit for $3 million in back pay, citing breach of contract and claiming that Chance let his family talk him into making bad business moves that exacerbated the negative feedback from the album. Chance’s lawyers shot down the accusation, but without Pat The Manager’s help, he may find it’s harder to repeat his prior successes. Maybe collaborating with Dionne Warwick will give him some insight to extending his longevity.
Watch Chance’s full interview with Ebro above.
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Clay and Kelsy Embrace Darkness and Light in Transformative EP ‘I am’
Clay and Kelsy, the innovative pair at the forefront of Los Angeles’ indie music scene, present their latest project: the emotionally charged and sonically intricate EP, ‘I am’. This work consists of five tracks that delve into the complexities of doubt, emotional pain, and the intricacies of self-discovery, addressing the multifaceted nature of the human experience—from heartache to resilience.
The EP opens with “Insecure,” a raw sonic narrative that unpacks themes of waning self-confidence. Following this, “You Hurt Me” delivers a poignant exploration of betrayal, characterized by its evocative lyrics and dynamic arrangement. The track “I Miss You” amplifies the emotional landscape with its soulful introspection, articulating the challenges of grief and attachment faced while letting go. In “Memories of Me,” the duo addresses the profound weight of despair, tackling themes of existential fragmentation and mental health struggles with brutal honesty.
The titular track, “I am,” emerges as a pivotal moment within the EP—serving as a testament to survival, growth, and the journey toward self-acceptance. This piece balances the turmoil of past experiences with an optimistic outlook on future endeavors, ultimately acting as a powerful affirmation of resilience and readiness to confront forthcoming challenges.
Clay and Kelsy’s exceptional storytelling is complemented by their innovative integration of electronic soundscapes with soulful lyrics and instrumentation, transforming ‘I am’ into a cathartic listening experience. As artists, producers, and co-founders of CKI—an initiative championing women’s empowerment and amplifying underrepresented voices—they infuse their work with authenticity and creativity. ‘I am’ signifies a significant evolution in their artistic trajectory, and the anticipation for their next steps is palpable within the industry.
Artist Spotlight
Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
CONNECT WITH Sadie Brown | Instagram |
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