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Charlamagne Tha God Reacts To Big Sean’s Bars On “Timeless”
Kanye West has been running rampant in the past few months. First, in his journey to becoming the president of the United States. Then, he started going after major labels in an attempt to reform the music industry at large. In the midst of all of this, Kanye faced backlash for his poor business handlings, especially among his signees. Big Sean, for example, recently revealed that he got a $15K advance for signing to G.O.O.D Music.
On Sean’s verse on “Timeless,” he raps about signing a “slave deal” to owning his masters, playing off of the name of Kanye’s label. “Signed a slave deal, now a n***a up, ownin’ my masters/ Watch me turn G.O.O.D. into great/ It’s first steps to everything, even takin’ leaps of faith/ Swear it’s labels that’s up Bs that owe me Ms,” he raps.
Charlamagne Tha God, who has been incredibly critical of Kanye West, recently claimed that ‘Ye actually owes Sean upwards of $3M. So, it came as no surprise that Charlamagne chimed in on Sean’s latest verse on the Benny song.
“Those bars from Big Sean were clearly to Kanye West. I told y’all a couple weeks ago that Kanye owed Big Sean $3M. I told y’all a couple weeks ago Kanye had Big Sean in a terrible deal where he gets half of Sean’s profits and half of Sean’s royalties. And Big Sean could’ve gotten his masters back but Kanye said no,” Charlamagne said. “I told y’all you gotta applaud Sean for his restraint. It gotta be nuts to hear a man brag about being worth $5 billion as Kanye did yesterday but he owes you $3M. Gotta be a crazy feelin’ to hear a man screaming about fightin’ to get folks back their masters but won’t give you back yours.”
“Well, Sean’s clearly tired of the hypocrisy,” Charlamagne added. Peep the clip below.
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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