Artist Spotlight
Chenzo V lights up shadows between identity and illusion in “Projector”
Chenzo V is back with a shape-shifting monster of a song in his latest offering, “Projector”. From the opening notes, it twists and blurs that line between alternative rock and darkwave to industrial-leaning edges, creating an intriguing sound. Grungy guitar variations collide and tangle with fuzzed-out synths, as moody, almost haunting vocals draw listeners into a realm where reality seems thin, and perception is everything.
“Projector” explores ideas about identity and misunderstanding at its heart. The lyric is direct, communicating frustration and isolation from feeling misunderstood by the world. There is a cinematic sense to Chenzo V’s approach that makes the listener feel like they’re simultaneously the star and spectator of some dark, urban tale. Recollective hard rock energy smashes up against futuristic electronic grooves, resulting in a song that somehow feels instantly familiar yet totally forward thinking.
“Projector” excels due to its sincerity, engaging deeply to evoke a reflection on illusion, perception, and human connection. An edge, authenticity, and a cinematic gravitas persist long after the final chord dissipates. Chenzo V implicitly recognises genuine suffering, subtly referencing lives lost due to a local drughouse and infusing the song’s facade with layers of sorrow and compassion. “Projector” is a stand-up to shadows, be they in the world or dwelling deep inside, made with unblinking artistry.
Artist Spotlight
Loris Tils brings funk energy to life with “IKKI”
Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.
“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.
The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.
Connect with Loris Tils on Spotify || Facebook || Instagram || Youtube || Soundcloud
Artist Spotlight
Glass Mansions turn a possible goodbye into “SUNSETTING”
Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.
The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.
“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.
“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.
Connect with Glass Mansions on Spotify || Instagram || Facebook || Youtube || Tiktok || Twitter || Soundcloud
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