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Max Fortune reaches new heights with “Max Skywalker”

Skywalker

Max Fortune invites us inside his imaginative universe with his new single, “Max Skywalker,” one of the highlights from the project Side Effects May Include, released on November 11th, 2025. Fortune’s writing is rife with tension and discord, and its wisecracking lines echo with a prophetic quality. Rather than bombarding the hearer, it entrances them with drug-addled sonics and an intoxicating concept, that of being listened to but also looked at for too long.

To add another layer of texture and rhythm to a track that’s bubbling with unique identity, Fortune also lays on Haitian Creole, not as a ploy but as an element that sounds like part of the fabric. The language is no crutch, it colors the track and adds to its cultural depth, without ever losing clarity for those who might not be familiar with it.

“Max Skywalker” sits somewhere between self-absorbed rap and avant-garde sounds. It’s one of those songs that begs for replays, with new details emerging every time. More than a single, it offers a vivid introduction to the world of Side Effects May Include and affirms the increasing scope of Max Fortune’s creative vision.

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Artist Spotlight

Gus Ormo finds a gentle balance of sound on latest release “Claroscuro (APAPE)”

Gus Ormo

Gus Ormo‘s latest release, “Claroscuro (APAPE),” is an instrumental piece built from a carefully selected set of sounds. Clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs make up the track. The vocal element is absent from the foreground; the instruments themselves establish the piece’s character.

The arrangement shows the contrast of its different textures. Bass and piano provide the grounding, with trumpet and flutes supplying the melodic color. Congas, drums, and shakers provide percussion, while the acoustic and lead guitars enrich the instrumental palette. These elements are incorporated into the song’s somber mood, but it remains mostly soft and emotion-driven.

What appeals to “Claroscuro (APAPE)” is its dedication to an instrumental expression that is soft on the heart. It’s not the words that convey the mood; it’s the instruments. Gus Ormo combines strings of rhythm, melody, and texture to produce a piece that sounds deliberately restrained, and each section contributes to the overall musical picture.

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Artist Spotlight

Gus Ormo brings warmth and tenderness on latest release “Latidos”

Gus Ormo

Gus Ormo’s latest release, “Latidos,” is an instrumental, so it must rely on its musicianship to carry the emotional weight. Instead of a vocal to guide the listener, the arrangement features clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs. The combination is a well-layered musical setting, with a somber character and a soft approach to the heart.

The piano and guitars add important touches to the arrangement, the trumpet and flutes add more color. Percussion, congas, drums, and clean shakers add movement but don’t detract from the gentle nature of the track. The bass anchors the song, while the lead and acoustic guitars provide an additional layer to the instrumental mix.

What sets “Latidos” apart is the quiet emotional intent. Instead of singing of its feeling, the piece creates a solemn and tender atmosphere with its collection of instruments. Still, Gus Ormo’s method stresses the connection between the instruments. It is an instrumental piece that should touch the heart with softness and not in excess.

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