Music
Chloe Mogg’s Gritty Anthem “Better Off,” an Ode to Shedding Negativity
In a world where music often serves as a sanctuary, Chloe Mogg’s latest rock single, “Better Off,” emerges as a powerful voice of resilience and a testament to self-empowerment. Hailing from Worcestershire, this emerging artist is no stranger to the vibrant tapestry of emotions that music can weave. With a debut album titled “The Crazy One,” Chloe is carving her name into the annals of the West Midlands music scene, bringing forth a vibrant blend of rock-edge rhythm with pop-blues influences that ignite the soul and defy the naysayers.
“Better Off” is a gritty, alternative rock track that thrusts a defiant middle finger for those who thrive toward negativity with the second teaser from her highly anticipated debut album, “The Crazy One.” Chloe’s inspiration for this anthemic song stemmed from a personal awakening. She explains, “I wrote this at a time in my life when negative people kept weighing me down. I was always a bit of a pushover and let people walk upon me, and then something snapped one day. I thought, ‘You know what, I don’t need that in my life anymore,’ and ‘Better Off’ was born. It’s simple… life’s too short; you don’t need toxic people in it!”
Lyrically, “Better Off” dives deep into the complexities of self-worth and the consequences of succumbing to external pressures. Chloe’s raw vocals encapsulate this empowering sentiment and deliver lines like “If I stick it to a man and forget who I am, does that make me worthy? If I leave it to my thoughts but remember all the loss, would that save the cruelty… all the lies that you spread all my life… I think I’m better off!… alone.”
Musically, “Better Off” offers a captivating evolution, blending pop-blues and alternative rock, a headbanging delight. Chloe’s signature harmonies seamlessly intertwine with fuzz-laden guitar riffs, a pulsating drumbeat, and a danceable rhythm that beckons listeners to hit the nearest dancefloor.
Chloe’s debut album, “The Crazy One,” encapsulates a decade of personal growth, exploring themes of mental health, discrimination towards disabilities, and heartbreak. With the help of Alex Vine Ruiz and an ensemble of talented musicians, including Ali Clinton, Jack Bowles, and Chloe’s father, Ian Mogg, the album is a testament to her resilience and artistic prowess.
Beyond her music, Chloe fervently advocates raising awareness of ‘invisible’ illnesses. Her work on platforms like BBC Radio 1 and BBC News Online, where she discussed discrimination against musicians with disabilities, underscores her commitment to inclusivity in the music industry.
“Better Off” is more than a song; it’s an anthem of empowerment and a testament to the transformative power of music. Chloe Mogg’s fearless approach to music and life is a beacon of hope, reminding us that we are better off without the negativity that seeks to hold us back. This track firmly establishes Chloe as a rising star in the UK rock scene.
CLICK HERE TO STREAM Chloe Mogg’s “Better Off“ on Spotify.
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Artist Spotlight
Janiq’s ‘Dior’ Brings Smooth Vibes and Unmistakable Swagger
Janiq‘s latest single, “Dior,” showcases a masterful blend of confidence and smooth sonic energy, drawing listeners into a realm of auditory luxury. The track encapsulates the essence of an upscale nightlife experience, characterized by a polished production that features a captivating amalgamation of rhythmic elements and melodic lines.
The instrumental backbone of “Dior” is driven by a moody, laid-back arrangement, fusing soft keyboard textures, a robust bassline, and precision-engineered percussion. The production quality is pristine, allowing each sonic layer to breathe while providing ample space for Janiq’s vocal articulation to shine. His delivery is characterized by a sophisticated execution that effortlessly transitions between melodic verses and infectious hooks, creating a seamless listening experience.
Janiq encapsulates themes of luxury and self-assuredness, utilizing imagery that bridges high-end aspirations with relatable experiences. His lyrical narrative evokes a sense of ambition and swagger, resonating with listeners drawn to the excitement of dressing up and stepping out into the night. Each line is crafted to elevate both the artist’s and the listener’s confidence.
“Dior” serves as an ideal auditory backdrop for moments of self-expression and stylish escapades. Janiq’s recent release encapsulates embracing personal confidence, reveling in life’s finer moments, and immersing oneself in the music’s intoxicating vibe. With its smooth vocal delivery and undeniable groove, “Dior” is poised to be a repeat favorite, prompting listeners to elevate their volume and fully engage with the experience.
Music
Trav Torch’s ‘She’s Calling Me’ Delivers a Midnight Groove You Won’t Forget
Trav Torch is again with any other sultry R&B anthem, and this time, it’s given late-night time cravings written all over it. “She’s Calling Me” is a clean, contemporary, sluggish jam that draws you in from the very first note. With Trav’s signature velvet vocals paired over a lush, overdue-night-time beat, this tune is crafted to seduce the ears and ignite the senses.
The track kicks off with moody, sensual synths and an unmistakable bassline that sets the suitable environment. Trav Torch’s vocal presence is simple—every word and sigh includes an intimate one that feels extraordinarily private. Lyrically, he faucets into the familiar push-and-pull of choice and temptation, painting a story as relatable as it is interesting. The manufacturing shines in its simplicity, leaving lots of room for Trav’s voice to carry the burden of the narrative.
“She’s Calling Me” captures that unique combo of nostalgia and new-age R&B—a song that feels as excellent to bop slowly to as it does on a solo force through the city. There’s heat, enveloping nice to the manufacturing that makes you want to position this on repeat, particularly in the vulnerable hours of the night.
Trav Torch has continually had a knack for capturing the romantic and the raw, and “She’s Calling Me” is no exception.
