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Chris Rock Jokes Tiffany Haddish Went Bald After Drinking Mushroom Tea

There were all sorts of rumors about why Tiffany Haddish recently decided to shave her head, and now Chris Rock is adding his two cents to the discussion. The famed comedian recently appeared on The Ellen Show and spoke with his good friend Ellen DeGeneres about what it’s been like performing alongside Dave Chappelle. For those who don’t know, Chappelle has been putting on social distancing comedy shows on his property in Ohio. According to Chris Rock, Dave owns a cornfield so he decided to remove the corn, build a stage, and host nights with some of the world’s most celebrated names in comedy.

While speaking with Ellen, Rock couldn’t help but poke fun at his friend Tiffany Haddish. “I was trying to be nice ’cause your show’s on in the daytime, but we do lots of drugs. Not the hard stuff. We’re like before coke,” he said. “There’s a lot of weed. There’s way more weed than anyone should ever have, and there’s a lot of mushrooms.” He then joked that Chappelle has a chef who specializes in cannabis and mushrooms, and that caused Haddish to make drastic changes to her coif.

“Tiffany Haddish drank the mushroom tea and cut her hair the next day,” said Rock while laughing. “I know she likes to act like, ‘Oooh, Common told me he loved me with no hair.’ No, it was the mushroom tea talking.” Ellen wanted to know if everyone enjoyed the tea. “We’re in a cornfield in a pandemic, what do you got to lose? What are you waiting for?” Check out the clip below.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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