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Chelsea Handler Has Questions About 50 Cent Denouncing Trump

Chelsea Handler and 50 Cent once formed one of the most unexpected relationships in Hollywood and, while they have both moved on, they still have a lot of love for one another.

When 50 publicly endorsed Donald Trump for President, citing Joe Biden’s proposed tax plan for the ultra-wealthy, he turned a lot of heads. Chelsea Handler was specifically concerned about the power of his endorsement, pleading with him to denounce Trump instead. She offered him “another spin,” which seemingly was the turning point for him.

“A what, another spin?” asked Fiddy on social media. “Fu*k Donald Trump, I never liked him.”

While it’s easy for him to say that and still go out and cast a vote for the former reality show host, Handler wanted clarification. She wanted to know that he was going to vote for Joe Biden, and she wanted to hear it straight from his mouth.

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“Honey- does this tweet me we can count on a vote for you for @JoeBiden?” asked the comedian on Twitter. “I’m happy to discuss this with you privately. My phone number is still the same. Your’s isn’t. I’ve tried calling you.”

Hopefully, we hear soon about Fif’s voting intentions as Chelsea Handler continues to press him.

Already, the rap legend has influenced other rappers to look into Biden’s proposed tax plan, getting through to Lil Pump, who said this weekend that he would be casting a vote for Trump.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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