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Cordae Adds Another Guest Feature To His 2020 List On DJ Scheme’s ‘Soda’ With Ski Mask The Slump God

The track joins Cordae’s previous guest appearances on tracks by Dinner Party and Stevie Wonder as well as his lone lead single, ‘Gifted.’ …

For about a year after the release of his debut album, The Lost Boy, Cordae stayed quiet in terms of music releases. The rapper’s debut was an impeccable effort that landed him two Grammy nominations and helped push him to the forefront of rap’s youngest and most promising acts, so a break was understandable. Luckily for fans, the break ended this past summer and the DMV rapper has kept fans satisfied with singles and guest features. Adding another one to the latter list, Cordae pulls up beside DJ Scheme, Ski Mask The Slump God, and Take A Daytrip for their new single, “Soda.”

If the track title is familiar to fans it’s because the song was premiered on Travis Scott and Chase B’s ‘.Wav Radio‘ show back in July. After quite the wait, the song is here for fans to enjoy. Cordae leads the way with a verse filled with braggadocios remarks on reaching success in the rap game as well as enjoying all the benefits that come with fame. Ski Mask follows suit with his trademark double-time flow that also finds him in his boastful bag.

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Prior to “Soda,” Cordae connected with Dinner Party — a group comprised of 9th Wonder, Kamasi Washington, Robert Glasper, and Terrace Martin — for their “Freeze Tag” track which later received the visual treatment. He also joined Stevie Wonder, Rapsody, Chika, and Busta Rhymes for their “Can’t Put It In The Hands Of Fate” single. However, it hasn’t only been guest appearances for Cordae this year. He also called on Roddy Ricch for “Gifted,” his first lead single of 2020, and months later, he delivered a powerful freestyle to open this year’s BET Hip-Hop Awards.

You can listen to “Soda” in the video above.

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Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”

Sadie Brown

At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.

Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.

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Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.

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Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.

 

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For more information about Sadie Brown, please visit [website]. 
CLICK HERE TO STREAM Sadie Brown’s Counterfeit on Spotify.
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Indie

“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question

Tom Minor

The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.

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What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.

Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.

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CLICK HERE TO STREAM Tom Minor’sIs Everything Okay? on Spotify.
CONNECT WITH Tom Minor | Facebook |

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