Music
Cordae Adds Another Guest Feature To His 2020 List On DJ Scheme’s ‘Soda’ With Ski Mask The Slump God
The track joins Cordae’s previous guest appearances on tracks by Dinner Party and Stevie Wonder as well as his lone lead single, ‘Gifted.’ …
For about a year after the release of his debut album, The Lost Boy, Cordae stayed quiet in terms of music releases. The rapper’s debut was an impeccable effort that landed him two Grammy nominations and helped push him to the forefront of rap’s youngest and most promising acts, so a break was understandable. Luckily for fans, the break ended this past summer and the DMV rapper has kept fans satisfied with singles and guest features. Adding another one to the latter list, Cordae pulls up beside DJ Scheme, Ski Mask The Slump God, and Take A Daytrip for their new single, “Soda.”
If the track title is familiar to fans it’s because the song was premiered on Travis Scott and Chase B’s ‘.Wav Radio‘ show back in July. After quite the wait, the song is here for fans to enjoy. Cordae leads the way with a verse filled with braggadocios remarks on reaching success in the rap game as well as enjoying all the benefits that come with fame. Ski Mask follows suit with his trademark double-time flow that also finds him in his boastful bag.
Prior to “Soda,” Cordae connected with Dinner Party — a group comprised of 9th Wonder, Kamasi Washington, Robert Glasper, and Terrace Martin — for their “Freeze Tag” track which later received the visual treatment. He also joined Stevie Wonder, Rapsody, Chika, and Busta Rhymes for their “Can’t Put It In The Hands Of Fate” single. However, it hasn’t only been guest appearances for Cordae this year. He also called on Roddy Ricch for “Gifted,” his first lead single of 2020, and months later, he delivered a powerful freestyle to open this year’s BET Hip-Hop Awards.
You can listen to “Soda” in the video above.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
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Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
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“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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