Music
Critically Acclaimed Artist Rehya Stevens Delivers Her Second Christmas Album, “‘Tis the Season”
Following the success of her all-original 2018 Christmas album Celebrate, her upcoming album ‘Tis the Season embraces more of the unbridled fun displayed in her most popular seasonal song, “Jingle Jangle,” which secured seven placements in various feature films and tv shows including Noelle (Disney +), The War with Grandpa, Black Christmas, Sense, Sensibility & Snowmen (Hallmark) and more. “If Celebrate is the album you enjoy with a glass of wine by the fire, ‘Tis the Season is the album you play in the morning over a cup of coffee while baking cookies, wrapping gifts – and the whole family is hanging out together with bed-hair,” says Rehya. The powerhouse singer-songwriter calls it her ‘romancing the madness of the holiday season’ album. “It’s sheer joy and celebration,” she says. ‘Tis the Season slips eight all-new, original Christmas songs under the tree along with 3 covers of beloved classics.
Compared to Rudolph’s bright-red nose, “The Old Red Sleigh” is blinding; the track is decorated with a bouncy western rhythm section, barbershop-style vocal arrangements and gritty hollow-body guitars by Gene Siegel. “Marry Me for Christmas” harkens back to the Brill Building era of Carole King/Gerry Goffin with a modern twist; the girl proposes to the guy while singing, “You’re looking so tight, Mr. Right – like the star of a movie show / And I’m all dressed up in white / tonight, there’s no better place to go.” “Christmas is Coming Soon” features lush chamber orchestration with lyrics that seemingly fuse the stylings of “The 12 Days of Christmas” meets a festive ole’ Irish drinking song. The 60’s inspired “Santa, Won’t you Hurry” blazes in the spirit of the love-sick holiday hits “All I Want for Christmas is You” (Mariah Carey) and “Baby, Please Come Home” (Darlene Love), while “Wonderland of Winter” nestles in blissful poetry as an ode to winter’s wonders with a gentle harp, lush strings and a kid’s choir to chase away your bah-humbug blues.
Stevens welcomes a stellar cast of collaborators on this new collection with Grammy-nominated producer/co-writer Tom Keane (Chaka Khan, Chicago, Barbra Striesand, Nathan East, Mack Keane), Jon Kubis (DWTS, Showtime at the Apollo, Quincy Jones, Dolly Parton), Michael NOMAD Ripoll (Tommy Sims, Walter Afanasieff, Stevie Wonder, Josh Groban) and Gardner Cole (Madonna, Amy Grant). With the title track already gracing the screen in Noelle (Disney +), and Victoria’s Secret 2020 in-app holiday ad, ‘Tis the Season is jingling merrily down the lane for all to enjoy this Christmas and many more to come.
Purchase and Stream ‘Tis the Season on all major streaming platforms on November 12th
About Rehya Stevens:
Rehya Stevens is not only a gifted and highly praised singer-songwriter, she’s also an insightful observer when it comes to a vast spectrum of human emotions. Granted, it’s a rare artist who can fully plough through the tangled web of feelings and experiences encountered during the often confounding journey that encompasses life’s entirety, but Rehya has been given the gift of not only perception, but also sensitivity, and with that – the ability to make music that is readily relatable to everyone fortunate enough to find it.
Rehya is especially adept at writing music that enhances the joys of the holiday season – and in so doing, rekindles the sentiment and kinship that’s so integral to that precious time of year. It’s especially important now, given the distancing, distrust and trepidation that have become so commonplace of late. Thankfully, Rehya’s music provides a formidable space to reinforce the bonds of brotherhood and fellowship that are so essential, not only at Christmas, but every day of the year.
No stranger to musical success, Rehya’s previous holiday album Celebrate, garnered a number of accolades, including nine film/tv and ad placements (combined) in Noelle (Disney+), The War with Grandpa (theatrical release), Black Christmas (theatrical release), Sense, Sensibility & Snowmen (Hallmark), All Rise (CBS), The 12 Dates of Christmas (HBO MAX), Victoria’s Secret and more.
Hollywood Music in Media awarded her stand-out track “Jingle Jangle” ‘Best in Holiday’ in 2019, and her smooth jazz single “Happy Holiday” reached #2 on the Billboard charts in 2018.
“I think the love of music has always driven me to figure out what makes me, and what makes other people tick — emotionally and spiritually,” she figures. “It’s allowed me to express our common yearnings, and, in turn, offer what I hope is a valuable form of therapy through music.
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Louise Goffin unveils her most introspective masterpiece yet with EP “What I Love The Most”
Delivering a rich tapestry of emotion and artistry, Los Angeles-based singer-songwriter and producer Louise Goffin takes listeners on a profound sonic journey with her latest EP, “What I Love The Most.” Seamlessly blending soulful introspection with melodic brilliance, this three-track masterpiece is a testament to Goffin’s evolution as an artist and a heartfelt homage to her creative collaborations with family and celebrated musicians.
The EP’s opening track, “Whole Damn Reason,” sets the stage with its vibrant pop sensibilities and heartfelt lyrics. Co-written and co-produced with her youngest son, Hayden Wells, the song exudes an infectious energy while exploring themes of passion, purpose, and possibilities. It’s an instant oozes with a classic pop charm that captures the euphoria of life’s defining moments, resonating deeply with Goffin’s signature sound.
Next, “Backseat” shimmers with introspective warmth and takes the listener on a reflective adventure of prolonged adversities. Co-written with her eldest son, Elijah Wells, and Puerto Rican songwriter Salomé Monroig, the track unfolds as a sonic declaration of empowerment, reclaiming self-worth and vulnerability. Its therapeutic undercurrent creates a vivid tapestry of resilience and personal growth, encouraging listeners to take control of their narrative, moving from the backseat of life into the driver’s seat of their own lives.
The EP closes with the hauntingly evocative “Dominoes,” a track that seamlessly intertwines poetic lyricism, pulsating rhythms, and masterful instrumentation. With contributions from Caleb Elliot on cello and Colin Lott on drums, this song is a powerful exploration of love, vulnerability, and self-discovery. Its timeless dynamism and soulful insights leave a lasting impression, showcasing Goffin’s ability to craft universal experiences through profoundly personal storytelling.
Recorded across iconic music hubs like Muscle Shoals and Memphis, “What I Love The Most” is a perfect blend of homegrown charm and studio polish. Goffin’s velvety vocals, layered harmonies, and intricate arrangements create a lush, immersive soundscape that transcends genres. Collaborations with her talented sons, legendary bassist David Hood, and other esteemed musicians elevate the EP, adding depth and authenticity to its rich tapestry.
With “What I Love The Most,” Louise Goffin solidifies her reputation as a vital voice in contemporary music. This collection of songs conveys a refreshing amalgamation of unparalleled experiences, sophisticated production, and a profoundly personal manifesto of love, resilience, and artistic expression. It is highly recommended for enthusiasts of introspective and emotionally impactful music, as this release is poised to become a cherished addition to playlists globally. Don’t miss this opportunity to engage with the artistry of Louise Goffin at her finest!
For more information about Louise Goffin, please visit [website].
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Artist Spotlight
“Walking Away” by Kelsie Kimberlin evokes an anthemic brilliance of empowerment to liberation
Recognized for her emotive pop prowess, Kelsie Kimberlin starts 2025 with a soulful masterstroke, delving deep into themes of resilience and rebirth in her evocative new single, “Walking Away.” This release marks her initial offering, 2025, which pairs impactful lyricism with a striking music video that Kimberlin herself directed. Shot on the hauntingly resilient streets of Kyiv, Ukraine, the visuals weave personal and political symbolism into a narrative centered on courage and transformation.
Kimberlin’s emotive vocal delivery captures the ache of breaking free from a toxic relationship, while the imagery in the music video enhances the storytelling. As she traverses the desolate, early-morning streets, she metaphorically sheds layers of clothing, representing the relinquishment of pain and abuse. By holding a stuffed toy, she subtly illustrates the concept of finding solace in vulnerability, embodying the notion of a fresh beginning marked by freedom and fearlessness.
The choice to film in Kyiv adds a significant layer of poignancy to “Walking Away.” Just as Kimberlin’s journey mirrors personal liberation, it parallels Ukraine’s ongoing fight for freedom and independence amidst persistent oppression. The song becomes a rallying cry for individuals trapped in toxic relationships and entire nations striving to reclaim their autonomy.
Musically, “Walking Away” thrives on its polished pop production, harmoniously balancing anthemic crescendos with Kimberlin’s heartfelt vocal performance. The melody lingers long after the track ends, a reminder of the strength it takes to walk away and the beauty that awaits on the other side. Kimberlin’s courage to candidly share her experiences boldly inspires others to embark on their journeys of self-discovery.
This single is essential for anyone seeking motivation to initiate a new life chapter. With “Walking Away,” Kelsie Kimberlin proves herself as an artist, a profound storyteller, and an advocate, delivering a universal message of resilience that resonates far beyond the music.
For more information about Kelsie Kimberlin, please visit [website].
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