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Crossroad Crooks Faces Painful Situations In Epic Debut Single “In Waiting”

“In Waiting” is an all encompassing rock anthem exploring the difficulties of breaking toxic patterns with colorfully melodic guitar riffs.

Indie rock trio Crossroad Crooks delivers an emotional commentary on negative cyclical patterns in their legendary debut single, “In Waiting,” out January 27th. Mike Davis-Penta (Vocals, Drums), Jedd Chlebowski (Bass), and John Leonard (Guitar) come together with electric performances on this hard-hitting, melodic rock song; being the band’s introduction to the music community, “In Waiting” is a chance for them to show fans what they’re made of. The first strum of Leonard’s guitar immediately draws listeners in before Davis-Penta’s powerhouse vocals leave listeners in awe with his charismatic delivery. The song’s riff-rock intro leads into an array of stacked guitar and bass work from unison, progressive riffs, to powerful open chords that allow buttery vocal harmonies to soar with an epic passion. Rock lovers from everywhere are bound to find themselves head-banging by the first chorus; expect to hear influence from artists like Soundgarden, Alter Bridge, and Black Sabbath.

This song captures the awareness of and taking responsibility for making choices that yield more harm than good. Throughout “In Waiting,” the character at hand acknowledges the pain caused by the negative cyclical behavior they are struggling with; when Davis-Penta sings, “I lie in the bed I make,” he is speaking to the acceptance of being emotionally attached to a bad situation despite having the logic to know otherwise. For the singer and drummer, “This song is an in-your-face acknowledgment of feeding a fire and enablement.” He says, “the lyrical themes of cyclical living combined with massive, melodic guitars and dark instrumentation make ‘In Waiting’ one of our favorites on the album.”

Listeners can stream Crossroad Crooks’ debut single, “In Waiting,” on all major streaming platforms January 27th.

More about Crossroad Crooks:

Crossroad Crooks is a seasoned indie alt. rock trio based out of New Haven, CT. Jedd Chlebowski (bass), Mike Davis-Pinta (vocals and drums), and John Leonard (guitar and recording engineer) come together to create a sound reminiscent of iconic rock artists like Soundgarden, Alter Bridge, and Black Sabbath. The trio delves into a myriad of complex topics in their music ranging from family dynamics, to romantic hardships, to some of life’s most devastating traumas. In their personal lives, Mike is a career firefighter, and John and Jedd are middle school music teachers. The three artists, all multi-instrumentalists and songwriters, initially came together to make music for fun as a potential cover band in 2017; after discovering their passion for original music and years spent honing their craft, the band stands at the forefront of a new era in which they find themselves taking a huge step into the spotlight.

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Listeners can expect raw, authentic lyrics invigorated by electric energy and a big sound. Crossroad Crooks’ rock influence shines brilliantly through thunderous kick drums, face-melting guitar solos, and booming bass lines. With Mike Davis-Penta on vocals and drums, the trio packs a punch with every performance; they’re known to leave crowds amazed at how just three people can make such a powerful sound. Crossroad Crooks has played shows at a variety of notable venues including Foxwoods Casino, The Wolf Den at Mohegan Sun, and the Lyric Hall Theater in Connecticut. For anyone who loves impassioned rock vocals, tender vulnerability, and hearing tight, blistering unison riffs that leave you head-banging, this dynamic trio is non-negotiable.

Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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