Music
Crystal Drake Delivers A ‘Snowburst’ of Holiday Spirit In Her Christmas Classics EP
Snowburst is the soul-pop artist’s decadent interpretation of four iconic holiday classics; Drake stays true to their traditional roots while invigorating them with a modern flare.
Chicago based soul-pop artist Crystal Drake makes her mark on the holiday season with her jubilant Christmas Classics EP, Snowburst, out November 19th. Her undeniably sultry, comforting vocals take the spotlight on this project; she breathes charisma, joy, and nostalgia into every track with her refined style and delivery. From the jazzy groove on “Santa Claus Is Comin’ To Town” to the pristine harmonies on “Hark! The Herald Angels Sing,” Drake has something for everyone on this EP. For the Chicago native, these songs represent beloved holiday traditions. She says, “these carols and the accompanying annual holiday preparations bring a sense of seasonality to our days, attuning us to the rhythm of our lives”. Snowburst is a gorgeous recount of Drake’s most sentimental Holiday favorites that reminds listeners of the magic that makes this the most wonderful time of the year.

Stream ‘Snowburst’ on all major streaming platforms on November 19th.
The four track EP is a collection of deeply loved christmas tunes including “Santa Claus Is Comin’ To Town,” “O Holy Night,” “Hark! The Herald Angels Sing,” and “Auld Lang Syne.” Listeners can expect a dazzling introduction on “Santa Claus Is Comin’ To Town” with the simple, keys and bass led arrangement behind Drake’s impressive, buttery display of vocal finesse. On “O Holy Night,” delicate strings and keys caress Drake’s glimmering vocals before delay-kissed, staccato synths embellish the track. The second half of the carol’s production blossoms into a masterfully composed classical + pop fusion that will undoubtedly catch the listener’s attention. Drake mesmerizes fans with her pitch perfect harmonies on “Hark! The Herald Angels Sing,” and quickly transitions to the enticing pop production layered behind the classic “Auld Lang Syne” to finish the project. She says, “[her] intention with this EP was to honor the melodies and historic integrity of the songs while modernizing them with phrasing and vocal arranging.” The final product delivered to listeners achieves this and so much more.
More about Crystal Drake:
Crystal Drake is a soul pop singer whose earthy vocals have been described as “refined” and “emotionally charged.” Her powerfully earnest singing borrows from gospel and soul traditions. Crystal’s songwriting is thoughtful, grounded and moving. “We all need a little push to believe, to appreciate, to listen and to love.” Her soulful voice nudges us to feel and remember that we are divine.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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