Music
Cutting-edge DJ violinist Asher Laub returns with another violin cover, ‘Indigo Camilo.’
Asher Laub, a New York-based electric violinist, composer, producer, and performer, has covered Camilo’s classic ‘Indigo’ on the violin. “Indigo Camilo” is a follow-up to his previous chart-topping tune, ‘Easy on Me.’ “Indigo Camilo” is accompanied by visually stunning imagery that will help his fans unwind and relax. On this soulful track, set on a lake in the middle of nowhere, Asher plays to his heart’s delight. He elevates the violin to the foreground, demonstrating his incredible ability and bringing the song to life. Even if you’re not a huge fan of instrumental music, this one’s for you. When you take a gander at the cover, you’ll feel as if you’ve stepped back in time. Asher Laub’s soothing string arrangement raises Camilo’s smash to a whole new level.
Asher Laub is well-known for his distinctive musical style and compositions. He began classical violin training at the age of two and was performing with the Buffalo Philharmonic by the time he was thirteen years old. With his ability to improvise across genres, Asher Laub has become a sought-after soloist performing at venues such as Madison Square Garden, Hammerstein Hall, Lincoln Center, and the Jacob Javitz Center on four continents as well as at the Kennedy Center in New York City. Also, it’s worth noting that he’s appeared on PBS and has received attention from CNN, WABC, NBC, and other notable media groups. Like all his previous compositions, “Indigo Camilo” is a poignant single that is certain to captivate his global fan base.
“Indigo Camilo” is now available on all major music streaming platforms, including Spotify and YouTube. Visit Asher Laub’s website and follow him on Instagram to know more about his upcoming projects.
Watch on Youtube:
https://youtu.be/oj0Ozafc-aw
Website:
https://www.asherlaub.com/
Connect on IG:
https://www.instagram.com/asherlaub/
Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
Connect with Mamas Gun on Spotify || Instagram || facebook || Youtube
Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
-
Artist Spotlight4 days agoGOODTWIN shares reflection with indie-pop single, “Soak It Up”
-
Artist Spotlight2 days agoSAMSARA transforms quiet heartbreak into a modern rock journey on latest release “mrs. porter”
-
Artist Spotlight2 days agoTom Woodward exposes the dark side of modern idol worship in latest release “PHONEY MESSIAH”
-
Artist Spotlight2 days agoMORPHEUS VON DOBENHAUSEN lets go of the chaos, dancing steady soft and slow in latest release “GOODBYE CHAOS”
-
Artist Spotlight2 days agoSavvie steps out with an anthem of power and perseverance on latest release “Incredible”
-
Artist Spotlight2 days agoSkillMusicsa speaks in silence when love fades with latest release “How Could You”
-
Artist Spotlight2 days agoMarcello Cordova turns loss into light on latest release “Jan 3rd (I Wish We Would Have Had More Time)”
-
Artist Spotlight2 days agoNeural Pantheon unveils a dark folk parable, when gold outweighs the soul on “The Merchant’s Last Coin”

